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Dance, Reconstruction, and Intellectual Property

Published online by Cambridge University Press:  02 August 2016

Ana Beatriz Cerbino
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Abstract

The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as “embodied textual practices” (Thomas 2004), from the perspective of dance notation, but also as embodied political and aesthetic options.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2016 , Fall 2016 , pp. 50 - 53
Copyright
Copyright © Ana Beatriz Cerbino 2016 

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References

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