Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-20T07:40:18.720Z Has data issue: false hasContentIssue false
  • English
  • Français

Dancing/Writing Transmodernism: Toward a Theorization of Recent Choreographic Histories

Published online by Cambridge University Press:  17 September 2015

Kathrina Farrugia-Kriel
Get access Rights & Permissions [Opens in a new window]

Abstract

In this paper, I explore recent theoretical offerings on transmodernism in literature and critical studies and its appropriation and transference into the field of dance studies Through writing transmodernism in dance, I offer a model that is timely and necessary. This framework is articulated through historical trajectories focused on a case study, notably through the work of French choreographer Angelin Preljocaj. Drawing upon Annonçiation (1995), the concept of dancing /writing transmodernism reflects the epistemological values from the interstitial transference of composite/nonlinear/scaffolded texts, including the rethinking of the biblical narratives, musical textures, and corporeal/physical textures.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2015 , Fall 2015 , pp. 48 - 51
Copyright
Copyright © Kathrina Farrugia-Kriel 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Daly, Ann. (ed.). 1992. “What Has Become of Postmodern Dance?” TDR 36(1): 48–69.CrossRefGoogle Scholar
Farrugia, Kathrina. 2013. “Angelin Preljocaj, Transmodern Dance Practices and the impACT of Writing Recent Dance Histories.” In Dance ACTions: Traditions and Innovations. Proceedings of Joint Conference of Nordic Forum for Dance Research and The Society of Dance History Scholars, Trondheim Norway The University of Science and Technology, June 11–13, 2013. Society of Dance History Scholars, 8–11. Trondheim, Norway: The University of Science and Technology.Google Scholar
Farrugia, Kathrina. 2012. “Transmodern Dance Practices: Mauro Bigonzetti, Angelin Preljocaj and Revisions of Les Noces (1923).” PhD dissertation, London Metropolitan University.Google Scholar
Farrugia, Kathrina. 2011. “Crossing Boundaries, Negotiating Physicalities in Angelin Preljocaj's Haka (2007).” Presented at Confluences 6: Physicality and Performance (2011), School of Dance BiAnnual Conference, July 21, University of Cape Town, South Africa.Google Scholar
Lewis, Christopher Taggart. 2011. “When the Glass Slips: Building Bridges to Transmodern Identity in the Novels of Santiago Nazarian and Chico Buarque.” PhD dissertation, Harvard University, Graduate School of Arts and Sciences.Google Scholar
Szaniawski, Jeremi. 2004. “Transmodernism or the Resurgence of Modernism in Contemporary Cinema and Popular Culture.” Belgian Journal of English Language and Literatures, 2: 167–183.Google Scholar