Hostname: page-component-7479d7b7d-qlrfm Total loading time: 0 Render date: 2024-07-13T00:10:10.107Z Has data issue: false hasContentIssue false
  • English
  • Français

Martha Hill: Supporting the Creative Work of José Limón

Published online by Cambridge University Press:  04 January 2013

Elizabeth McPherson
Get access Rights & Permissions [Opens in a new window]

Abstract

Founding director of the dance programs at New York University, Bennington College, and Juilliard, as well as the summer dance festivals the Bennington School of the Dance and Connecticut College School of the Dance/American Dance Festival, Martha Hill was a visionary for dance and dance education. One of the teachers and choreographers to whom Hill gave her loyal support was José Limón, providing him with means and opportunities to voice his unique vision.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 39 , supplement S1: Choreographies Of Migration: Patterns Of Global Mobility , 2007 , pp. 157 - 160
Copyright
Copyright © The Author(s) 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Kisselgoff, Anna, “The Innovations of Martha Hill,” New York Times, March 28, 1982, D6.Google Scholar

2. Belitt, Ben and Morgan, Barbara, “Dedication to Martha Hill,” Impulse Magazine (1966): 4–5.Google Scholar

3. de Mille, Agnes, The Life and Work of Martha Graham (New York: Random House, 1991), 82.Google Scholar

4. Hill, Martha, “Letter to the Editor,” Quadrille 23, no. 2 (Spring 1991): 51.Google Scholar

5. Siegel, Marcia, Days on Earth: The Dance of Doris Humphrey (New Haven, CT: Yale University Press, 1987), III.Google Scholar

6. Milton, Paul R., “The Coxey's Army of the Concert World: A Study of the Ills and Ailments of the Serious Dance Fields,” Dance Magazine of the Stage and Screen (December 1930): 10.Google Scholar

7. Lubell, Naomi, “José Limón—Interview,” Dance Observer 4, no. 7 (September 1937): 78.Google Scholar

8. Kriegsman, Sali Ann, Modern Dance in America: The Bennington Years (Boston: G. K. Hall, 1981), 84.Google Scholar

9. Ibid., 331.

10. Limón, José, José Limón: An Unfinished Memoir, edited by Garafola, Lynn (Hanover, NH: University Press of New England, 1999), 79.Google Scholar

11. Ibid.

12. Dian Dong, interviews with author, July 19, 2003, and August 10, 2003, New York City.

13. Hill, Martha, “José Limón and His Biblical Works,” Choreography and Dance 2, no. 3 (1992): 57.Google Scholar

14. Owen, Norton, “Afterward,” in José Limón: An Unfinished Memoir, by Limón, José, edited by Garafola, Lynn (Hanover, NH: University Press of New England, 1999), 121.Google Scholar

15. Ibid., 122. From a letter to various sponsors following Limons tour, January 6, 1958, p. 3, folder 464, José Limón Papers.

16. “Martha Hill,” Bennington College Alumnae Quarterly 3, no. 2 (1952): 10–11.