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Support and Following: Re-Visiting Movement Choirs and Public Performance

Published online by Cambridge University Press:  02 August 2016

Yvonne Hardt
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Abstract

In recent years, the theorization of dance as a critical and political practice has focused on its “resisting” qualities. “Withholding” or “arresting” are terms used to qualify dance as a means for questioning economic and artistic practices. This paper seeks to problematize such a view both by pondering the question of how to conceptualize acting bodies in forming political spaces and by grounding this discussion in a historical comparison. I will re-visit and question my previous research on movement choirs, and propose that the notion of supporting, transmitting, and sharing are strategies commensurately significant with choreographies of protest.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2016 , Fall 2016 , pp. 198 - 207
Copyright
Copyright © Yvonne Hardt 2016 

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