Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-14T22:44:03.786Z Has data issue: false hasContentIssue false

Music and Theory: Reflecting on Outcomes-Based Assessment

Published online by Cambridge University Press:  04 January 2013

Extract

I once read that the music we listen to during our high school and college years is the music that most resonates with us throughout our lifespan. I would suggest as well that the theory we encounter during a doctoral program will continue to resonate throughout our professional lives. This certainly has been true for me, and, in my case, there is congruence between the music and the theory, making for an even deeper attachment. In this presentation I will explore that attachment and also question it, giving voice to conflicting arguments and trying to resolve them. The internal dialogue made audible here was generated by the current intense focus on outcomes-based assessment in education.

Type
Panel: Critical Issues in Pedagogy and Research: Perspectives on Dance Education Theory and Practice
Copyright
Copyright © The Author(s) 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Arendt, Hannah, 1963. Eichmann in Jerusalem: A Report on the Banality of Evil. New York: Viking.Google Scholar
Bond, Karen, and Stinson, Susan W.. 20002001. “‘I feel like I'm going to take off!’ Young People's Experiences of the Superordinary in Dance.” Dance Research Journal 32 (2): 5287.CrossRefGoogle Scholar
Bond, Karen, and Stinson, Susan W.. 2007. “‘It's work, work, work, work’: Young People's Experiences of Effort and Engagement in Dance.” Research in Dance Education 8 (2): 155–83.CrossRefGoogle Scholar
Greene, Maxine. 1978. Landscapes of Learning. New York: Teachers College Press.Google Scholar
Greene, Maxine. 1995. Releasing the Imagination: Essays on Education, the Arts, and Social Change. San Francisco: Jossey-Bass.Google Scholar
Grumet, Madeleine. 2007. “The Pulse of Art: What Is and What Might Be.” In International Handbook for Research in Arts Education, edited by Bresler, L., 985–88. Dordrecht: Springer.Google Scholar
House of the Wannsee Conference Memorial and Educational Site. n.d. “The Participants at the Conference.” Retrieved May 30, 2009, from <http://www.ghwk.de/engl/cateng6b.htm>..>Google Scholar
Pinar, William. 1975. Curriculum Theorizing: The Reconceptualists. Berkeley, CA: McCutchan.Google Scholar
Purpel, David E., and McLaurin, William M.. 2004. Reflections on the Moral and Spiritual Crisis in Education. New York: Peter Lang.Google Scholar
Stinson, Susan W. 1993a. “Meaning and Value: Reflecting on What Students Say about School.” Journal of Curriculum and Supervision 8 (3): 216–38.Google Scholar
Stinson, Susan W. 1993b. “Voices from Schools: The Significance of Relationship to Public School Dance Students.” Journal of Physical Education, Recreation and Dance 64 (5): 5256.CrossRefGoogle Scholar
Stinson, Susan W. 1993c. “A Place Called Dance in School: Reflecting on What the Students Say.” Impulse: The International Journal of Dance Science, Medicine, and Education 1 (2): 90114.Google Scholar
Stinson, Susan W. 1997. ‘A Question of Fun: Adolescent Engagement in Dance Education.” Dance Research Journal 29 (2): 4969.CrossRefGoogle Scholar
Stinson, Susan W. 2001. “Voices from Adolescent Males.” daCi in Print 2: 46.Google Scholar
Stinson, Susan W., Blumenfeld-Jones, Donald, and Van Dyke, Jan. 1990. “Voices of Young Women Dance Students: An Interpretive Study of Meaning in Dance.” Dance Research Journal 22 (2): 1322.CrossRefGoogle Scholar
Tyler, Ralph. 1949. Basic Principles of Curriculum and Instruction. Chicago: University of Chicago Press.Google Scholar