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Conceptual Systems: The Dances, Music, and Drawings of Laura Dean

Published online by Cambridge University Press:  29 December 2020

Elliot Gordon Mercer
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Abstract

Laura Dean's creative output in minimalist art spans interconnected work in dance, music, and drawing. Throughout the early 1970s, Dean represented her compositional structures as works on paper, which present an expanded visualization of her artistic experimentation with color, symmetry, repetition, and form. Dean rejects the reconstruction of her performance works, instead she advances a notion of dances as impermanent. Situating Dean in the context of serial and conceptual art in which the material art object is deemphasized in favor of communicating compositional logic, I argue that Dean presents a choreographic legacy premised on the intentional disappearance of her work in favor of perpetuating ideation and concept.

Keywords

conceptual artdance notationLaura Deanminimalismpostmodernismserial art
Type
Articles
Information
Dance Research Journal , Volume 52 , Issue 3 , December 2020 , pp. 22 - 41
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press on behalf of the Dance Studies Association

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References

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