Article contents
The State of Dance Research in Nigeria
Published online by Cambridge University Press: 22 July 2014
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS0149767700003892/resource/name/firstPage-S0149767700003892a.jpg)
- Type
- Research in Dance: Worldwide
- Information
- Copyright
- Copyright © Congress on Research in Dance 1994
References
Adedeji, J.A.
1969. The Alarinjo Theatre: The Study of Yoruba Theatrical Art from its Earliest Beginning to the Present. Ph.D dissertation, University of Ibadan.Google Scholar
Amnkulor, James. Feb. 1980. Dance as an Element of Artistic Sythesis in Traditional Igbo Festival Theatre. Okike
17.Google Scholar
Begho, F. Sept. 1978. The Dance in Contemporary Nigerian Theatre: A Critical Appraisal. Nigerian Journal of Humanities
2:18–33.Google Scholar
Badejo, P.A.
1980. Bori Spirit Posession Religion as Dance Event: A Pre-Islamic Hausa Phenomenon. Master's Thesis, University of California, Los Angeles.Google Scholar
Ebun, Clark. 1919. Hubert Ogunde: The Making of Nigerian Theatre.
Oxford and New York: Oxford University Press.Google Scholar
Ebun, Clark. 1988. Dance Sholarship in Nigeria: A Historical Review, in Documentation Beyond Performance. Edited by Au, Susan and Peter, Franck-Manuel. Berlin: International Theatre Institute.Google Scholar
Horton, R. April, 1963. The Kalahari Ekine Society: A Borderline of Religion and Art. Africa
33/2: 94–114.Google Scholar
Harper, Peggy. May 1969. Dance in Nigeria. Journal of Ethnomusicology, 13/2: 280–295.CrossRefGoogle Scholar
Harper, Peggy. Oct. 1970. The Role of Dance in Gelede Ceremonies of the Village of Ijido. Odu
4: 67–93.Google Scholar
Nzewi, Meki. 1981. Music, Dance and Drama and the Stage in Nigeria, in Drama and Theatre in Nigeria. Edited by Ogunbiyi, Y.. Nigeria Magazine.Google Scholar
Okwesa, F.U.
1972. Traditional Theatre in Eastern Niger Delta of Nigeria as depicted in the Owu Masked Plays. Masters thesis, University of California, Los Angeles.Google Scholar
Onwuejeogwu, M.
1969. The Cult of the Bori Spirits among the Hausa, in Spirit Mediumship and Society in Africa. Edited by Beattie, John and Middleton, John. London.Google Scholar
- 2
- Cited by