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Annual International Bibliography of Dance History: The Western Tradition. Works Published in 1978. Part I.

Published online by Cambridge University Press:  22 July 2014

Nancy Chalfa Ruyter
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As the literature of dance proliferates, it becomes increasingly difficult to keep track of what is available. The need for current bibliographies of dance materials has been addressed during the past few years at meetings of both CORD and the Dance History Scholars; this first installment of a western dance history bibliography is the direct result of such discussions. At the historians' meeting held during the August 1978 ADG-CORD Dance Conference in Hawaii, plans were formulated and a number of people offered to contribute to the project in one way or another. A report was made at the February 1979 history conference in New York City, and again the response was positive. A few months later, CORD offered to help support the project.

This is the first installment of materials published in 1978. It includes books and articles in twelve categories. An index in seven sections guides the reader to time, place, and area of subject matter; people, dance works, and institutions named in titles; and to authors. Part I of the bibliography is far from complete and only minimally international in coverage since most of the collecting has been done by one person located in the United States. Some periodicals have not yet been searched at all, and some categories of materials that may be included in the future – book and performance reviews, for example – have generally been omitted here.

Type
Articles
Information
Dance Research Journal , Volume 12 , Issue 2 , Spring/Summer 1980 , pp. 23 - 30
Copyright
Copyright © Congress on Research in Dance 1980

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References

BIBLIOGRAPHY

I. Bibliographies and Bibliographic Information

1. Levene, Victoria E. and Buckley, William J.. A Bibliography on Arts Administration. Binghamton, N.Y.: State University of New York, School of Management. 30 pp. Admin BiblioGoogle Scholar
2. Schlundt, Christena L. “Dictionary Catalogue of the Dance Collection” (review), DRJ 10(1):31–32, Fall-Winter 1977–1978. BiblioCrossRefGoogle Scholar
3. Schlundt, Christena L. “Source Materials for the Study of French Dance (1643–1793),” DRJ 10(1):7–9, Fall-Winter 1977–1978. 17th 18th France BiblioCrossRefGoogle Scholar
4. Schmidt, Carl B. “The ‘Apothéose de Lully’: or, Toward a New Lully Edition,” Current Musicology 26:106–111. 17th Biblio MusicGoogle Scholar
5. Van Cleef, Joy. “Dance in Horace Walpole's Correspondence,” DRJ 10(2):55–56, Spring-Summer. 18th EnglandCrossRefGoogle Scholar

II. Reference Works

6. Highfill, Phillip H. Jr., Burnim, Kalman A. and Langhans, Edward A.. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London 1660–1800. Illus. Vol. 5: Eagen-Garrett. 494 pp. Vol. 6: Garrick-Gyngell. 504 pp. Carbondale, Ill: Southern Illinois Univ. Press. 17th 18th EnglandGoogle Scholar
7. Mapp, Edward. Directory of Blacks in the Performing Arts. Metuchen, N.J.: Scarecrow Press. 428 pp. 20th USGoogle Scholar
8. Parker, David L., and Siegel, Esther. Guide to Dance in Film: A Catalogue of U.S. Productions Including Dance Sequences, with Names of Dancers, Choreographers, Directors, and Other Details. Detroit: Gale Research Company. 220 pp. 20th US Drama FilmGoogle Scholar
9. Willis, John. Dance World 1977, Vol. 12. New York: Crown Publishers. 224 pp. Illus. On 1976–1977 season. 20th USGoogle Scholar

III. Historical Sources

10. Bournonville, August. August Bournonville: Lettres à la maison de son enfance (Letters to the house of his childhood). Vol. III. Ed. by Schiørring, Nils and Kragh-Jacobsen, Svend. Copenhagen: C.A. Reitzels Boghandel 154 pp. Commentary and indexes to the letters in Vol. I (1969) and Vol. II (1970). 19th Denmark EuropeGoogle Scholar
11. Humphrey, Doris. Doris Humphrey: The Collected Works. Vol. I. Notated by Blum, Odette, Hutchinson, Ann, and Grelinger, Els. New York: Dance Notation Bureau Press. 302 pp. Labanotation scores for Water Study, Shakers, Partita, plus introduction and historical material by Selma Jeanne Cohen. 20th USGoogle Scholar
12. Livet, Anne, ed. Contemporary Dance: An Anthology of Lectures, Interviews and Essay s with Many of the Most Important Contemporary American Choreographers, Scholars and Critics… New York: Abbeville Press in association with the Fort Worth Art Museum. 307 pp. Illus. Chronology. Bibliography. 20th US BiblioGoogle Scholar
13. Terry, Walter. I Was There: Selected Dance Reviews a Articles: 1936–1976. Compiled and edited by Wentink, Andrew Mark. Foreword by Kisselgoff, Anna. New York: Dekker. 736 pp. Illus. 20th US Crit Also see numbers 30, 77, 78, 110, 161.Google Scholar

IV. Methodology

14. Pforsich, Janis. “Labananalysis and Dance Style Research: An Historical Survey and Report of the 1976 Ohio State University Research Workshop,” in DRA IX, pp. 59–74. Figures. Bibliography. 20th Biblio NotationGoogle Scholar
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V. Historical Studies

17. Baroque Dance 1675–1725. A monograph which accompanies the film of the same name; essays by Wynne, Shirley, McCormick, Malcolm, Curtis, Alan, and Mattingly, Barbara. 104 pp. Available separately or with the film from UCLA Dance Department, Los Angeles, CA 90024. 17th 18th EuropeGoogle Scholar
18. Brown, J.F. “Aleister Crowley's Rites of Eleusis,” TDR (T78) 22:3–26, June. Illus. 20th. England RitualGoogle Scholar
19. Buckman, Peter. Let's Dance: Social, Ballroom and Folk Dancing. New York and London: Paddington Press Ltd. 288 pp. Illus. Glossary. Map. Bibliography. Middle Ages though 20th Europe Latin America USGoogle Scholar
20. Chapman, John. “An Unromantic View of Nineteenth Century Romanticism,” York DR 7:28–40, Spring. 19th FranceGoogle Scholar
21. Clarke, Mary, and Crisp, Clement. Ballet Art from the Renaissance to the Present. New York: Clarkson N. Potter. 144 pp. Illus. Renaissance through 20th ArtGoogle Scholar
22. Clarke, Mary, and Crisp, Clement. Design for Ballet. New York: Hawthorn Books. 289 pp. Illus. Renaissance through 20th DesignGoogle Scholar
23. Cohen, Barbara Naomi. “Chain Prologs: Dance at the Picture Palaces,” D Scope 13:12–23, Fall. Illus. 20th USGoogle Scholar
24. Creese, Robb. “Anthroposophical Performance,” TDR (T78) 22:45–74, June. Illus. 20th Europe Drama ReligionGoogle Scholar
25. Draegin, Lois. “Spanish Dance in America: Fanning the Spanish Fever,” DM 52:63–72, April. Illus. 20th Spain USGoogle Scholar
26. Fenner, Theodor. “Ballet in Early Nineteenth-Century London as Seen by Leigh Hunt and Henry Robertson,” DCh l(2):75–95, 1977–1978. 19th England CritGoogle Scholar
27. Gaye, Pamela. “The Legacy of the Minstrel Show,” D Scope 12:34–45, Spring-Summer. Illus. 19th 20th USGoogle Scholar
28. Gordon, Mel. “Gurdjieff's Movement Demonstrations: The Theatre of the Miraculous,” TDR (T78) 22:32–44, June. Illus. 20th ReligionGoogle Scholar
29. Highwater, Jamake. Dance: Rituals of Experience. New York: A and W Publishers. 223 pp. Illus. Pre-history through 20th TheoryGoogle Scholar
30. Jospe, Raphael. “Dancing: A Traditional Form of Jewish Worship,” Viltis (Denver) 36:11–15, January-February. Includes citations on dance from Biblical, Rabbinic, and medieval texts (translated into English). Antiquity to Middle Ages Religious/RitualGoogle Scholar
31. Koegler, Horst. “An Interview with José Udaeta,” DM 52:73–78, April. Illus. 20th. Spain USGoogle Scholar
32. Kunzle, Régine. “In Search of L'Académie Royale de Danse,” York DR 7:3–15, Spring. 17th FranceGoogle Scholar
33. McNally, Sheila. “The Maenad in Early Greek Art,” Arethusa (Buffalo, N.Y.) 11:101–35, Spring and Fall. Illus. Antiquity Greece ArtGoogle Scholar
34. Marrocco, W. Thomas, “Music and Dance in Boccaccio's Time. Part 1: Fact and Speculation,” DRJ 10(2): 19–22, Spring-Summer. See Thomas, no. 161 below, for Part 2. 14th ItalyCrossRefGoogle Scholar
35. Oxenham, Andrew with Crabb, Michael. Dance Today in Canada. Toronto: Simon & Pierre. Illus. 20th CanadaGoogle Scholar
36. Palmer, Winthrop. Theatrical Dancing in America: The Development of the Ballet from 1900. 2nd ed, rev. South Brunswick and New York: A.S. Barnes; London: Thomas Yoseloff Ltd. 241 pp. Illus. 20th Europe USGoogle Scholar
37. Price, Curtis A. “‘… to make amends for One ill Dance’: Conventions for Dancing in Restoration Plays,” DRJ 10(1): 1–6, Fall-Winter 1977–1978. 17th England DramaCrossRefGoogle Scholar
38. Reimer, Susan and Reynolds, Nancy, eds. Dance of the Twentieth Century: Slide Text and Catalogue. With sections written by Silverman, Jill, Pierce, Robert J., Vaughan, David, Reimer, Susan, and Reynolds, Nancy. New York: Pictura Dance. 116 pp. 20th Europe USGoogle Scholar
39. Ribeiro, Aileen. “Mrs Cornelys and Carlisle House,” History Today 28:47–52, January. Illus. 18th EnglandGoogle Scholar
40. Ries, Frank W.D. “Roman Pantomime: Practice and Politics,” D Scope 12:35–47, Fall-Winter 1977–1978. Illus. Antiquity RomeGoogle Scholar
41. Silver, Judy. “Dancing in the Midnight Sun,” Folk Dance Scene (Los Angeles) 14:9–11, April. Middle Ages to 20th NorwayGoogle Scholar
42. Simon, E. “Zwei Springtänzer – ΔΟΙΣΚΥΒΙ ΣΤΗΤΗΡΕ” (Two jumping dancers), Antike Kunst (Basel) 21(2): 66–69. With illus. on pp. 17–18. Antiquity Greece ArtGoogle Scholar
43. Sowell, Debra Hickenlooper. “Theatrical Dancing in the Territory of Utah, 1848–1868,” D Ch 1(2):96–126, 1977–1978. Illus. 19th US DramaGoogle Scholar
44. Sweet, Jill. “Puritan and Enlightenment Attitudes to-wards Dance: The Effects of Two Belief Systems on the Development of American Dance,” J/UCLA 1:1–14, Fall-Winter 1977–1978. 17th 18th Europe USGoogle Scholar
45. Williamson, Liz and Moore, Mike. “That Eclectic, Elusive Dance Called Jazz,” DM 52:63–75, February. Illus. 20th US Also see number 155.Google Scholar

VI. Biographical, Historical, and Evaluative Material on Individuals and Their Work

46. Arnheim, Rudolf. “Visiting Palucca,” D Scope 13:6–11, Fall. Illus. 20th GermanyGoogle Scholar
47. Aschengreen, Erik. “August Bournonville: A Ballet-Poet Among Poets.” Trans., McAndrew, Patricia N., in DRA IX, pp. 3–21. Bibliography. 19th Denmark BiblioGoogle Scholar
48. Austin, Richard. Natalia Makarova, Ballerina. Brooklyn, N.Y.: DH. 139 pp. Illus. 20th Russia/USSR USGoogle Scholar
49. Banes, Sally. “Cool Symmetries/Douglas Dunn,” D Scope 12:50–62, Spring-Summer. Illus. 20th USGoogle Scholar
50. Banes, Sally. “Gravity and Levity: Up and Down with Trisha Brown,” DM 52:59–63, March. Illus. 20th USGoogle Scholar
51. Barzel, Ann. “Hamburg's Kevin Haigen: Prince Desire in Blue Jeans,” DM 52:63–66, November. Illus. 20th Europe USGoogle Scholar
52. Cohen, Barbara Naomi. “Gertrude Hoffmann: Salome Treads the Boards,” in DRA IX, pp. 23–32. 20th USGoogle Scholar
53. Cohen, Selma Jeanne. “Yuri Slonimsky (1902–1978),” D Ch 2(2): 148–56. List of scenarios for ballets and major works. 20th Russia/USSRGoogle Scholar
54. Crabb, Michael. “The New Danny Grossman: The Dancer-Choreographer Comes Full Circle,” DM 52:50–54, August. Illus. 20th Canada USGoogle Scholar
55. Craft, Robert. “Stravinsky, Diaghilev, and Misia Sert,” Ballet R 6(4):66–77, 1977–1978. 20th Europe MusicGoogle Scholar
56. De Mille, Agnes. Where the Wings Grow. New York: Doubleday. 286 pp. Illus. 20th USGoogle Scholar
57. Draegin, Lois. “Pennsylvania Ballet's Bright Young Man: Jeffrey Gribler,” DM 52:62–66, May. Illus. 20th USGoogle Scholar
58. Draegin, Lois. “Sean Greene's ‘Dance Life’ with Bella Lewitzky,” DM 52:40–43, August. Illus. 20th USGoogle Scholar
59. Egan, Carol. “Choreographer in Search of Truth: Kei Takei,” DM 52:44–49, March. Illus. 20th USGoogle Scholar
60. Fanger, Iris M. “Spreading the Life and Look of Con-temporary Dance: Raymond Johnson,” DM 52:52–56, November. Illus. 20th USGoogle Scholar
61. Farber, Stephen. “An Interview with Herbert Ross,” Film Comment (New York) 14:60–67, January-February. 20th US FilmGoogle Scholar
62. Foster, John. The Influences of Rudolf Laban. New York: Transatlantic. 184 pp. Bibliography. List of Laban's works published before 1938. (First published London 1977.) 20th EducGoogle Scholar
63. Geddes, Minna Besser. “Isadora: The Last Year,” DM 52:67–70, January. Illus. 20th USGoogle Scholar
64. Goldman, Debra. “Mothers and Fathers: A View of Isadora and Fokine,” Ballet R 6(4):33–43, 1977–1978. 20th USGoogle Scholar
65. Gruen, John. “Danilo Radojevic: A Young Australian Dancer with the American Ballet Theatre,” DM 52: 83–87, May. Illus. 20th Australia USGoogle Scholar
66. Gruen, John. “The Joffrey Ballet's Lyrical and Sensitive Gregory Huffman,” DM 52:44–47, July. Illus. 20th USGoogle Scholar
67. Hartman, Rose. “Talking with Anna Halprin,” D Scope 12:57–66, Fall-Winter 1977–1978. Illus. 20th USGoogle Scholar
68. Huckenpahler, Victoria. Ballerina: A Biography of Violette Verdy. New York: Dekker. 244 pp. Illus. 20th France USGoogle Scholar
69. Huckenpahler, Victoria. “Madame Barbara Karinska: Costumes to Delight,” DM 52:44–47, January. Illus. 20th Europe US CostumeGoogle Scholar
70. Jackson, Teague. Encore: The Private and Professional Triumph of Emily Frankel. Englewood Cliffs, N.J.: Prentice Hall. 213pp. 20th USGoogle Scholar
71. Kendall, Elizabeth. “Before the World Began,” Ballet R 6(4):21–32, 1977–1978. Mainly on Isadora Duncan; some material on Loie Fuller and Ruth St. Denis. 19th 20th USGoogle Scholar
72. Kerner, Mary. “Domy Reiter-Soffer: The Cosmopolitan Choreographer and Artistic Factotum,” DM 52:88–93, November. Illus. 20th Europe USGoogle Scholar
73. Koegler, Horst. “Marius Petipa: A New Perspective,” DM 52:63–78, September. Illus. 19th 20th RussiaGoogle Scholar
74. “La Men” DM 52:55–70, August. Illus. Part I: “I Remember…” by La Meri. Part II: “A Chronology of Learning, Labor, Life,” edited and with foreword by Walter Terry. Part III: “A Life in Ethnic Dance: Two Recent Publications of La Meri,” review by Jane Sherman. 20th USGoogle Scholar
75. Lahm, Adam. “Remembered Grace: Ruth St. Denis,” Arabesque (New York) 4:10–13, 16–17, May–June. Illus. 20th USGoogle Scholar
76. Levien, Julia. “Sources of Style in the Dances of Isadora Duncan” Ballet R 6(4):44–49, 1977–1978. 20th USGoogle Scholar
77. Levinson, André. “The Art and Meaning of Isadora Duncan,” Ballet R 6(4)5·14, 1977–1978. 20th USGoogle Scholar
78. Levinson, André. “In Memoriam,” Ballet R 6(4):14–20, 1977–1978. On Isadora Duncan. 20th USGoogle Scholar
79. Litchman, William H. “Charles Chaney: Kansas Caller, 1918–1936,” Northern Junket (Keene, New Hamp-shire) 13:2–11, May. Illus. 20th USGoogle Scholar
80. McDearmon, Lacy. “Maud Allan: The Public Record,” DCh 2(2):85–105. Illus. 20th Europe USGoogle Scholar
81. Manchester, P.W. “Remembering Ashton,” D Ch 1(2): 143–50, 1977–1978. Review of David Vaughan's Frederick Ashton and His Ballets (1977). 20th EnglandGoogle Scholar
82. Marinel, Inna. “Looking Back; Years with Pavlova: A Memoir,” DM 52:42–43, January. Illus. 20th EuropeGoogle Scholar
83. Marx, Henry. “Madeleine: Two Reviews,” TDR (T78) 22:27–31, June. Illus. About a woman who danced on stage while apparently in hypnotic trance or asleep. 20th EuropeGoogle Scholar
84. Mason, David. Karen Kain: Lady of Dance. With photo-graphs by David Street. Scarborough, Ontario, Canada: McGraw-Hill Ryerson. 127 pp. 20th CanadaGoogle Scholar
85. Mayer, Charles S. “The Influence of Leon Bakst on Choreography,” D Ch 1(2): 127–42, 1977–1978. Illus. 20th Europe CostumeGoogle Scholar
86. Maynard, Olga. “Ballet West's Mark Lanham and Stacey Swaner,” DM 52:79–82, November. Illus. 20th USGoogle Scholar
87. Money, Keith. John Curry: The Life and Art of the Great Ice Skater and Ice Dancer. New York: Knopf. 224 pp. Illus. 20th EnglandGoogle Scholar
88. Moore, Elvi. “Bella Lewitzky: A Legend Turned Real,” DCh 2(1):1–79. Illus. Chronology of works. 20th USGoogle Scholar
89. Niehaus, Max. Peter Breuer. Munich: Nymphenberger Verlagshandlung GambH. Unnumbered pp. Short text in English and German. 114 photos. Chronology. 20th GermanyGoogle Scholar
90. Panov, Valery with Feifer, George. To Dance. New York: Knopf. 397 pp. Illus. 20th USSRGoogle Scholar
91. Philp, Richard. “The Legendary Tamara Karsavina Remembered: An Interview with Felia Doubrovska,” DM 52:36–37, September. Illus. 20th EuropeGoogle Scholar
92. Philp, Richard. “Spotlight on: Ann Reinking,” DM 52:76–78, February. Illus. 20th USGoogle Scholar
93. Pikula, Joan. “Communication and Compassion: Pauline Koner,” DM 52:64–69, March. Illus. 20th USGoogle Scholar
94. Reff, Theodore. “Edgar Degas and the Dance,” Arts Magazine 53:145–49, November. Illus. 19th France ArtGoogle Scholar
95. Rone, Elvira. Olga Preobrazhenskaya: A Portrait. Trans, from French by Hall, Femau. New York: Dekker. 192 pp. Illus. 20th EuropeGoogle Scholar
96. Rosen, Lillie F. “Remembering André Eglevsky (1917–1977),” D Scope 12:7–13, Spring-Summer. Illus. 20th USGoogle Scholar
97. Shelton, Suzanne. “The Influence of Genevieve Stebbins on the Early Career of Ruth St. Denis,” in DRA IX, pp. 33–49. Biblio. 19th 20th USGoogle Scholar
98. Silverman, Jill. “André Levinson on Isadora Duncan,” Ballet R 6(4):l–5, 1977–1978. 20th USGoogle Scholar
99. Smith, Amanda. “Jennifer Muller: Stranger on the Beach,” DM 52:58–62, April. Illus. 20th USGoogle Scholar
100. Sommer, Sally R. “The Stage Apprenticeship of Loie Fuller,” D Scope 12:23–34, Fall-Winter 1977–1978. Illus. 19th. 20th Europe USGoogle Scholar
101. Stodelle, Ernestine. The Dance Technique of Doris Humphrey and Its Creative Potential. Princeton, N.J.: Princeton Book Company. Illus. 265 pp. 20th US Theory TechniqueGoogle Scholar
102. Stoop, NormaMcLain. “All the World's a Stage – For Clive Thompson of the Alvin Ailey American Dance Theatre,” DM 52:79–85. October. Illus. 20th USGoogle Scholar
103. Stoop, NormaMcLain. “American Musical Dancer/Choreographer Patrick Adiarte: ‘Art Is Agressive,’“ DM 52:54–57, February. Illus. 20th USGoogle Scholar
104. Stoop, NormaMcLain. “Bonnie Wyckoff: A Three-Dimensional Dancer,” DM 52:44–47, April. Illus. 20th USGoogle Scholar
105. Stoop, NormaMcLain. “Dennis Marshall: A Dancer of Many Moods,” DM 52:13–16, November. Illus. 20th Europe USGoogle Scholar
106. Stoop, NormaMcLain. “The Greek Dreams and American Vigor of Erick Hawkins,” DM 52:88–91, May. Illus. 20th USGoogle Scholar
107. Stoop, NormaMcLain. “Zhandra Rodriguez and Zane Wilson: Two Z's Who Are A+ Dancers,” DM 52:57–66, January. Illus. 20th VenezuelaGoogle Scholar
108. Swisher, Viola Hegyi. “The Multi-faceted and Energetic Natalia Clare,” DM 52:56–61, May. Illus. 20th USGoogle Scholar
109. Terry, Walter. Great Male Dancers of the Ballet. Designed by Adel, Judith. Garden City, N.Y.: Anchor Press/Doubleday. Illus. 197 pp.Google Scholar
110. Thomas, Emma Lewis. “Mary Wigman: Views on Dance, Christmas, 1972,” J/UCLA Part 1. 2:1–16, Spring. Part 2. 2:1-19, Fall-Winter 1978-79. Part 3. 3:1-18, Spring 1979. 20th GermanyGoogle Scholar
111. Tobias, Tobi. “Bart Cook,” DM 52:56–62, September. Illus. 20th USGoogle Scholar
112. Tobias, Tobi. “Glimpses of Alonso,” DM 52:38–41, January. Illus. 20th CubaGoogle Scholar
113. Tobias, Tobi. “Karen Kain,” DM 52:50–55, May. Illus. 20th CanadaGoogle Scholar
114. Tobias, Tobi. “Teacher at the School of American Ballet: Andrew Kramarevsky,” DM 52:83–87, November. Illus. 20th US USSRGoogle Scholar
115. Wangh, Anne Wilson. “Vaslav Nijinsky: Genius and Schizophrenic,” American Imago (Detroit) 35:221–37, Fall. Illus. 20th Europe Also see numbers 6, 7, 9, 10, 11,29,35,36, 117, 144.Google Scholar

VII. Historical and Evaluative Material on Dance Companies

116. Banes, Sally. “Grand Union: The Presentation of Everyday Life as Dance,” DRJ 10(2):43–49, Spring-Summer. 20th USCrossRefGoogle Scholar
117. Barnes, Patricia. The Children of Theatre Street. Introduction by Mack, Earle. New York: Viking. 144 pp. 100 photographs. 19th 20th Russia/USSRGoogle Scholar
118. Bell, Ken and Franca, Celia. The National Ballet of Canada: A Celebration. Buffalo, N.Y.: University of Toronto Press. 284 pp. Photos by Bell. Memoir by Franca. 20th CanadaGoogle Scholar
119. Buchanan, Kathryn. “Dance in Seattle: Boom under the Bumbershoot,” DM 52:110–11, August. Illus. 20th USGoogle Scholar
120. Christout, Marie-Françoise. “The Paris Opera Ballet,” D Ch 2(2): 131–42. Trans, from French by Serrano, Lucienne J.. Book review of Ivor Guest's Le Ballet de l'Opéra de Paris (1976). 17th to 20th FranceGoogle Scholar
121. “A Conversation with P.W. Manchester, Part Two,” Ballet R 6(4):108–11, 1977–1978. Part One published in 6(3). On Colonel de Basil's Ballet Russe de Monte Carlo. 20th EuropeGoogle Scholar
122. Cook, Susan. The Alvin Ailey American Dance Theatre. New York: Morrow. 128 pp. Photos by Cook. Commentary by Mazo, Joseph H.. Chronology. 20th USGoogle Scholar
123. Draegin, Lois. “Spotlight on: Hartford Ballet,” DM 52:111, February. Illus. 20th USGoogle Scholar
124. Fanger, Iris M. “Merce Cunningham and Dance Company; A Month in the Country: The Massachusetts Residency,” DM 52:79–81, September. Illus. 20th USGoogle Scholar
125. Gruen, John. “American Dance Machine: The Era of Reconstruction,” DM 52:47–53, February. Illus. 20th USGoogle Scholar
126. Kirstein, Lincoln. Thirty Years: The New York City Ballet. New York: Knopf. 398 pp. Reprint of 1973 work with update. 20th USGoogle Scholar
127. Light, Janet. “Cincinnati Ballet Company: In America's Heartland,” DM 52:67–74, May. Illus. 20th USGoogle Scholar
128. Matthews, Nancy. “Egyptian Arabesque,” D Scope 13:36–43, Fall. Illus. On the Egyptian Institute of Ballet and Cairo Ballet Company. 20th EgyptGoogle Scholar
129. Merrill, Bruce. “Violette Verdy Talks about Her Year at the Paris Opera,” DM 52:10–11, November. Illus. 20th FranceGoogle Scholar
130. Payne, Charles. American Ballet Theatre. New York: Knopf. 380 pp. Illus. Includes essays by Alicia Alonso, Erik Bruhn, Lucia Chase, and Nora Kaye and a repertoire list compiled by Henry Wisneski. 20th USGoogle Scholar
131. Philp, Richard. “Twenty Years Later: The Alvin Ailey American Dance Theatre,”DM 52:63–78, October. Illus. 20th USGoogle Scholar
132. Rudnicki, Marianne. “Dance in Detroit,” DM 52:41, April. Illus. 20th USGoogle Scholar
133. Salisbury, Wilma. “Akron's Treasure: The Ohio Ballet,” DM 52:50–55, October. Illus. 20th USGoogle Scholar
134. Salisbury, Wilma. “Cleveland Ballet: An Ensemble Grows Up,” DM 52:75–77, May. Illus. 20th USGoogle Scholar
135. Scott, Diana. “Dance in Connecticut: Developing Indigenous Resources,” DM 52:110, February. 20th USGoogle Scholar
136. Sherman, Jane. “Doris and Charles and Pauline Fifty Years Ago – A Reminiscence,” DM 52:56–62, October. Illus. On the early Humphrey-Weidman company. 20th USGoogle Scholar
137. Simpson, Herbert M. “A Working Partnership: Ian Horvathand Dennis Nahat,” DM 52:78–81, May. Illus. On Cleveland Ballet. 20th USGoogle Scholar
138. “Steps to the Joffrey,” DM 52, June. Illus. “Step One: The American Ballet Center School” by Dunning, Jennifer, pp. 60–67. “Step Two: The Joffrey II”: Sally Brayley Bliss discussing the Joffrey's second company with David Vaughan, pp. 68-73. 20th USGoogle Scholar
139. Stoop, Norma McLain. “The Ballet International de Caracas and Two of Its Dancers,” DM 52:51–66, January. Illus. 20th VenezuelaGoogle Scholar
140. Wyatt, Joseph. “Dance in Mexico: Rejuvenating the Mexican Ideal,” DM 52:115, June. Illus. 20th MexicoGoogle Scholar
141. Wyman, Max. The Royal Winnipeg Ballet: The First Forty Years. New York: Doubleday. 275 pp. Illus. 20th Canada Also see number 9.Google Scholar

VIII. Studies and Material on Dance Works

142. Au, Susan, “The Bandit Ballerina: Some Sources of Jules Penot's Catarina,” DRJ 10(2):2–5, Spring–Summer. Illus. 19th EuropeCrossRefGoogle Scholar
143. Chynowski, Paweł “United Only in Death,” Poland (Warsaw) 3(283):28–37, March. Illus. On the legend upon which was based the ballet, Stanisław and Anna Oświecim. 20th PolandGoogle Scholar
144. Doob, Penelope B.R. “A Conversation with Sir Frederick Ashton,” York DR 7:16–25, Spring. 20th EnglandGoogle Scholar
145. Dorris, George. “Once More to the Lake,” Ballet R 6(4):99–107, 1977–1978. On recordings of ballet music. 19th 20th MusicGoogle Scholar
146. Doyle, Katherine F. “The London Festival Ballet's New York City Visit Recalls the Colorful History of Schéhérazade,” DM 52:71–75, July. Illus. 20th Europe USGoogle Scholar
147. Farkas, Ann. “The Russianness of ‘Petrouchka,’“ Artforum 16:42–48, January. Illus. 19th 20th Europe RussiaGoogle Scholar
148. Manor, Giora. “The Bible as Dance,” DM 52:55–86, December. Illus. Renaissance–20th Europe Israel US ReligionGoogle Scholar
149. Marcus, Leah Sinanoglou. “‘Present Occasions’ and the Shaping of Ben Jonson's Masques,” English Literary History (Baltimore) 45:201–25, Summer. 17th EnglandCrossRefGoogle Scholar
150. Martin, Marianne. “The Ballet Parade: A Dialogue Between Cubism and Futurism,” The Art Quarterly 1:85–111, Spring. Illus. 20th EuropeGoogle Scholar
151. Siegel, M[arcia] B. “Cake with the Stripper Inside,” Hudson Review 31:157–62, Spring. On films–from 1913 Denishawn to Balanchine “Dance in America” productions and The Turning Point. 20th US FilmCrossRefGoogle Scholar
152. Tobias, Tobi. “Baryshnikov's Don Quixote” DM 52:44–49, June. Illus. 19th 20th Russia USGoogle Scholar
153. Vaughan, David. “Aurora Awakened,” Ballet R 6(4):78–86, 1977–1978. Productions of Sleeping Beauty with focus on Royal Ballet's 1977–1978 revival. 19th 20th EuropeGoogle Scholar
154. Wong, Yen Lu with Shore, Herb. “Golden Mountain: A Choreographer Speaks of Search and Discovery,” Bridge: An Asian American Perspective (New York) 6:27–34, Summer. Illus. 20th USGoogle Scholar
155. Youngerman, Suzanne. “The Translation of a Culture into Choreography: A Study of Doris Humphrey's The Shakers, Based on Labananalysis,” in DRA IX, pp. 93–110. Illus. Biblio. 19th 20th US Religion Also see numbers 29, 35, 36, 38, 76, 85, 163, 165, 167.Google Scholar

IX. Reconstruction

156. Daniels, Don. “Duncan Revived,” Ballet R 6(4):55–65, 1977–1978. 20th USGoogle Scholar
157. Cash, Debra. “Court Dance Reconstruction,” D Scope 13:52–55, Fall. Illus. 15th to 18th 20th Europe USGoogle Scholar
158. Evanchuk, Robin. “Problems in Reconstructing a Shaker Religious Dance Ritual,” J/UCLA 1:15–32, Fall–Winter 1977–1978. 18th 19th 20th US ReligionGoogle Scholar
159. Gamson, Annabelle. “On Dancing Isadora's Dances,” Ballet R 6(4):50–54, 1977–1978. 20th USGoogle Scholar
160. Larsson, Roger. “State University of New York at Buffalo: A Production of Marco da Gagliano's Ballo di Donne Turche,” Current Musicology 26:16–19. 17th ItalyGoogle Scholar
161. Thomas, Emma Lewis. “Music and Dance in Boccaccio's Time. Part II: Reconstruction of Danze and Balli (including three dances with music and Labanotation),” DRJ 10(2):23–42, Spring-Summer. See no. 34 for Part I. 14th 15th Italy NotationCrossRefGoogle Scholar
162. Vaughan, David. “Dan Siretta: Rediscovering the American Musical,” DM 52:58–62, February. Illus. 20th US See also number 125.Google Scholar

X. Aesthetics

163. Anderson, Jack. “Classics Comics,” Ballet R 6(4):87–98, 1977–1978. 20thGoogle Scholar
164. Armelagos, Adina and Sirridge, Mary. “The Identity Crisis in Dance,” JAAC 37:129–39, Winter. 20thGoogle Scholar
165. Brown, Estelle T. “Toward a Structuralist Approach to Ballet: Swan Lake and The White Haired Girl,” Western Humanities Review (Salt Lake City) 32:227–40, Summer. 19th 20th China EuropeGoogle Scholar
166. Fetters, Jan. “Somatic Unity in the Movement Experience,” Somatics, Autumn, pp. 22–26.Google Scholar
167. Kagan, Elizabeth. “Towards the Analysis of a Score: A Comparative Study of Three Epitaphs by Paul Taylor and Water Study by Doris Humphrey,” in DRA IX, pp. 75–92. 20th USGoogle Scholar
168. Khatchadourian, Haig. “Movement and Action in the Performing Arts,” JAAC 37:25–36, Fall.Google Scholar
169. Sheets-Johnstone, Maxine. “An Account of Recent Changes in Dance in the U.S.A.” Leonardo (Elmsford, N.Y. and Oxford, England) 11:197–201, Summer. 20th USCrossRefGoogle Scholar
170. Strauss, G[loria] B. “The Aesthetics of Dominance,” JAAC 37:73–79, Fall. Also see number 172.Google Scholar

XI. Reports

171. Banes, Sally. “Conference on the History of American Popular Entertainment,” DRJ 10(2):60–61, Spring-Summer. USCrossRefGoogle Scholar
172. Glickman, Jack. “Dance and Theory of Expression,” DRJ 10(2):62–63, Spring-Summer. Summary and comment on symposium at meeting of American Society for Aesthetics, October 1977.CrossRefGoogle Scholar
173. Logan, Moira. “The International Conference on Dance and the Child,” DM 52:87–88, December. Illus. 20th EducGoogle Scholar
174. Maynard, Olga. “A Christensen Seminar,” DM 52:76–78, November. Illus. 20th USGoogle Scholar
175. Newman, Barbara. “Dance Critics Association Conference,” DRJ 10(2):61–62, Spring-Summer. CritCrossRefGoogle Scholar
176. P[ierpont], M[argaret]. “Dance History on the College Level: Who, What, Where, and Why,” DM 52:123, June. On April 8,1978 dance history symposium, Trinity College. EducGoogle Scholar

XII. General and Miscellaneous

177. Alejandro, Reynaldo G.Phillipine Dance: Mainstream and Crosscurrents. Introduction by Dame Margot Fonteyn de Arias. Manila: Vera-Reyes, 1978. 254 pp. Illus. Includes material on Western dance as well as indigenous forms. 20th PhillipinesGoogle Scholar
178. Barrick, Mac E. “Dancing in the Pig Trough,” Western Folklore (Salt Lake City) 37:56–57, January. 19th USCrossRefGoogle Scholar
179. The Dance Horizons TravelGuide to Six of the World's Dance Capitals: New York, Washington, London, Paris, Leningrad, and Moscow. Sally, and Jacobson, Eric, eds. Brooklyn, N.Y.: DH. 316 pp. England France US Russia/USSRGoogle Scholar
180. Prudhomme, Germaine. “L'érotisme et la danse,” Revue d'esthétique (Paris) 1–2:227–85. Pre-history – 20thGoogle Scholar