Hostname: page-component-7479d7b7d-t6hkb Total loading time: 0 Render date: 2024-07-10T23:26:20.475Z Has data issue: false hasContentIssue false

Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty. 2008. Cambridge, MA: MIT Press. 362 pp., illustrations, notes, index. $34.95 cloth.

Published online by Cambridge University Press:  02 April 2012

Erin Brannigan
Affiliation:
University of New South Wales, Sydney

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Congress on Research in Dance 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Burt, Ramsay. 2007. Judson Dance Theater. London: Routledge.Google Scholar
Green, Shelley. 1994. Radical Juxtaposition: The Films of Yvonne Rainer. Metuchen, NJ: Scarecrow Press.Google Scholar
Lakoff, George. 1980. Metaphors We Live By. Chicago: University of Chicago Press.Google Scholar
Lepecki, André. 2006. Exhausting Dance: Performance and the Politics of Movement. New York: Routledge.CrossRefGoogle Scholar
Phelan, Peggy. 1999. “Yvonne Rainer: From Dance to Film.” In A Woman Who … Essays, Interviews, Scripts, edited by Rainer, Yvonne. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Rainer, Yvonne. 1989. The Films of Yvonne Rainer. Bloomington: Indiana University Press.Google Scholar
Rainer, Yvonne. 2006. Feelings Are Facts:A Life. Cambridge, MA: MIT Press.Google Scholar
Sachs, Sid, ed. 2003. Yvonne Rainer: Radical Juxtapositions 1961–2002. Philadelphia: University of the Arts.Google Scholar
Woods, Catherine. 2007. Yvonne Rainer: The Mind Is a Muscle. London: Afterfall Books.Google Scholar