Since 1963 almost 200 films have been made by African authors. This provides a suitable quantity of documents to permit an attempt to study them as a group. These films are the work of a hundred directors and so perhaps can allow an analysis of their personalities. But can we suppose that they represent all of Africa? This is hardly probable. The film-makers and their crews belong to the upper social levels. Educated, well-traveled on other continents, highly qualified intellectually and professionally, they associate with the leading class even though their financial means may not always suffice to realize their aspirations. They belong to the intelligentsia. But, because of the educative power of film, we can foresee that they will contribute to the formation of the masses. The Africa presented in their films is not that of today but maybe that of tomorrow.