IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

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IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

Volume 1, Issue 1
MARGARET BUTLER
DOI: https://doi.org/10.1017/S1478570604250072

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IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

Volume 1, Issue 1
MARGARET BUTLER
DOI: https://doi.org/10.1017/S1478570604250072

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

Volume 1, Issue 1
MARGARET BUTLER
DOI: https://doi.org/10.1017/S1478570604250072

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IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9

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