Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-20T02:40:58.124Z Has data issue: false hasContentIssue false
  • English
  • Français

Emmanuel Guy. Ce que l'art préhistorique dit de nos origines (Paris: Éditions Flammarion, 2017, 340pp., 23 colour illustr., pbk, ISBN 978-2-0814-1245-3)

Published online by Cambridge University Press:  01 November 2018

António Batarda Fernandes
António Batarda Fernandes*
Affiliation:
Côa Valley Museum and Archaeological Park, Côa Park Foundation, Portugal
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
European Journal of Archaeology , Volume 21 , Issue 4 , November 2018 , pp. 632 - 635
Copyright
Copyright © European Association of Archaeologists 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Diamond, J.M. 2017. Guns, Germs, and Steel: The Fates of Human Societies. New York: W.W. Norton & Company.Google Scholar
Fernandes, A.B. 2018. The Entrapment of Art: Rock-Art, Order, Subversion, Creativity, Meaning, and the Appeal of Illusive Imagery. Open Archaeology, 4(1): 280–98. doi: https://doi.org/10.1515/opar-2018-0017Google Scholar
Grünberg, J.M. 2016. ‘Arm’ und ‘Reich’: Die Ausstattung der Toten in paläolithischen und mesolithischen Gräbern. In: Meller, H., Hahn, H.P., Jung, R. & Risch, R., eds. Arm und Reich — Zur Ressourcenverteilung in prähistorischen Gesellschaften / Rich and Poor — Competing for Resources in Prehistoric Societies. 8. Mitteldeutscher Archäologentag vom 22. bis 24. Oktober 2015 in Halle (Saale) / 8th Archaeological Conference of Central Germany, October 22-24, 2015 in Halle (Tagungen des Landesmuseums für Vorgeschichte Halle 14/1‒14/II). Halle: Landesamt für Denkmalpflege und Archäologie Sachsen-Anhalt, Landesmuseum für Vorgeschichte, pp. 127–46.Google Scholar
Hayden, B. 2007. L'Homme et l'inegalité, l'origine de la hiérarchie à la préhistoire. Paris: CNRS Éditions.Google Scholar
Laming-Emperaire, A. 1962. La signification de l'art rupestre paléolithique. Paris: Picard.Google Scholar
Leroi-Gourhan, A. 1964. Les religions de la Préhistoire. Paris: Presses Universitaires de France.Google Scholar
Lévi-Strauss, A. 1945. Le dédoublement de la représentation dans les arts de l'Asie et de l'Amérique. Renaissance, 2/3: 169–86.Google Scholar
Luís, L. & Fernandes, A.P.B. 2009. ‘On Endless Motion’: Depiction of Movement in the Upper Palaeolithic Côa Valley Rock Art (Portugal). In Congresso Internacional da IFRAO 2009, Piauí, Brasil. IFRAO, pp. 1304–18.Google Scholar
Morris, I. 2010. Why the West Rules—For Now. New York: Farrar, Straus, and Giroux.Google Scholar
Santos, A.T. 2017. A arte paleolítica ao ar livre da bacia do Douro à margem direita do Tejo: Uma visão de conjunto. Unpublished PhD thesis, Universidade do Porto. https://repositorio-aberto.up.pt/handle/10216/109327Google Scholar
Testart, A. 1982. Les Chasseurs-cueilleurs ou l'origine des inegalités. Paris: Societé d'Ethnographie.Google Scholar