The first phase of the Trypillia mega-sites' methodological revolution began in 1971 with aerial photography, magnetic prospection, and archaeological excavations of huge settlements of hundreds of hectares belonging to the Trypillia culture in Ukraine. Since 2009, we have created a second phase of the methodological revolution in studies of Trypillia mega-sites, which has provided more significant advances in our understanding of these large sites than any other single research development in the last three decades, thanks partly to the participation of joint Ukrainian-foreign teams. In this paper, we outline the main aspects of the second phase, using examples from the Anglo-Ukrainian project ‘Early urbanism in prehistoric Europe: the case of the Trypillia mega-sites', working at Nebelivka (also spelled ‘Nebilivka’), and the Ukrainian-German project ‘Economy, demography and social space of Trypillia mega-sites', working at Taljanky (‘Talianki’), Maydanetske (‘Maydanetskoe’), and Dobrovody, as well as the smaller site at Apolianka.

Previously observed specialization in sheep/goat kill-off patterns from Romanian Eneolithic sites raises the question of a limited duration of the slaughtering period. In order to provide reliable month of death distribution for sheep/goats, the approach developed here takes into account uncertainties regarding the age-at-death and the month of birth, based on classic archaeozoological techniques. We show that sheep slaughtering rarely occurred from late spring to early autumn or from summer to mid-fall, both at Hârşova tell and Borduşani-Popină. Conversely, it is very likely that fishing activities took place primarily from spring to early autumn. This points to the existence of seasonal and complementary food supply strategies at both sites. Several possible explanations for these seasonal strategies are discussed. We also highlight the homogeneity in the management of domestic herds between the two sites, raising the question of a certain standardization in pastoral practices on a larger scale.

The contrast between monumentalized burials and almost invisible settlements has dominated Neolithic studies in western Europe, reinforcing an artificial divide between ceremonial and economically productive landscapes. By combining a material culture approach with a landscape scale, comparative artefact studies can trace connections between people, places, and social contexts. This paper investigates social networks in Late Neolithic Portugal by examining artefact provenance, biographies, and deposition on the Mondego Plateau. It focuses on three sites and four object categories characteristic of this period. The study reveals great diversity of raw materials, circulation of everyday objects, and regional availability of resources previously thought to be imports. It suggests that people used dispersed resource areas in an integrated way, and that exchange was an integral part of routine life. Evidence for links across the region is not restricted to tombs. Burial assemblages resulted from a complex web of social relations that preceded, accompanied, and followed the actions surrounding death. Understanding these places and fundamental questions about Neolithic social production and reproduction requires reconnecting tombs and settlements into wider lived landscapes.

Hoard finds appear throughout the European Bronze Age with distinct chronological and chorological peaks. While there is some consensus on seeing hoards as an expression of cultic behaviour, the large ‘scrap metal' hoards in particular still provoke interpretations as raw material collected for recycling. With socketed axes whose sockets were intentionally filled with deliberately fragmented metalwork, Hansen (1996–1998) has pointed out a group of finds that could be crucial to a better understanding of ‘scrap’ hoards. Using the finds from the Carpathian Basin as a case study, a dual biographical approach is applied to this group. A close look at the complex use-life of the objects themselves, as well as an attempt at re-integrating them into the local history of hoarding, leads to the conclusion that they constitute single acts of dedication in larger contexts. “Scrap hoards’” can thus be understood as long-term accumulations of votive objects and can be integrated into the social practice of Bronze Age hoarding.

This paper analyses the occupation sequence documented in the Roman house of La Fortuna (Cartagena, Spain). We use a contextual approach to study all the material culture documented in the domus. We start with a complete re-documentation of the stratigraphic record, in order to match the finds to their provenance. As a basis for this documentation, we discuss the abandonment typologies and the formation processes documented in the house. Using this framework we make a detailed examination of the artefact assemblages documented and we apply a quantitative study of the production, redistribution and consumption patterns during the different occupation phases. The ultimate objective of this paper is to provide a social and economic reading of the household activities carried out by the successive inhabitants in their own historical context.

This paper presents some new observations concerning the construction of the Sutton Hoo helmet, as a point of entry to a wider discussion of pre-Christian religious and ideological links across Scandinavia. It will be argued that in certain circumstances and locations, such as the firelit interior of the hall, the wearer of the helmet was seen as both war leader and war god, a literal personification of Odin. This interpretation is supported and extended with a variety of Scandinavian finds from the sixth to tenth centuries, and arguably represents an unusually physical manifestation of the ritual border-crossing between human and divine elites. In the socio-political context of early medieval kingdoms, the dramatic imagery of the helmets and related military equipment had a critical role to play in the communication of power, the origin of military prowess, and the religious allegiance of a warlord.