Published online by Cambridge University Press: 16 July 2020
The French noir tradition is supposed to dominate the French market of crime fiction, regardless of the growing success of French and non-French thrillers in France. Yet in the last two decades, the French literary crime fiction market has been marked by the arrival of non-French European authors. By combining a quantitative and qualitative approach to publishing series, translations, prizes and festivals, this article highlights the transnational dimension of the French market independently from a spontaneous methodological nationalism encouraged by the reception discourses.