Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-23T20:26:01.070Z Has data issue: false hasContentIssue false

From Jesus to Shylock: Christian Supersessionism and “The Merchant of Venice”

Published online by Cambridge University Press:  20 December 2006

Susannah Heschel
Affiliation:
Dartmouth College

Extract

In 1943 the SS Gauleiter, “district administrator,” of Vienna, Baldur von Schirach, commissioned a performance of The Merchant of Venice at the famed Burgtheater to celebrate the deportation of allthe Jews;Vienna had become Judenrein “cleansed of Jews.” When Werner Krauss, the Nazis'leading actor, first appeared on stage as Shylock, he made the audience shudder. According to the newspaper account:With a crash and a weird train of shadows, something revoltingly alien and startlingly repulsive crawled across the stage…. The pale pink face, surrounded by bright red hair and beard, with its unsteady, cunning little eyes;the greasy caftan with the yellow prayershawl slung round; the splay-footed, shuffling walk; the foot stamping with rage; the claw-like gestures with the hands; the voice, now bawling, now muttering—all add up to a pathological image of the East European Jewish type, expressing all its inner and outer uncleanliness, emphasizing danger through humor.

Type
ARTICLES
Copyright
© 2006 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)