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GENDER IN MODERN EUROPE: CRIME AND VIRTUE Gender and crime in modern Europe. Edited by Margaret L. Arnot and Cornelie Usborne. London: UCL Press, 1999. Pp. xv+288. ISBN 1-85728-746-0. £14.99. Breaking the codes: female criminality in fin-de-siècle Paris. By Ann-Louise Shapiro. Stanford: Stanford University Press, 1996. Pp. vi+265. ISBN 0-8047-2693-0. £10.95. Reign of virtue: mobilizing gender in Vichy France. By Miranda Pollard. Chicago: University of Chicago Press, 1998. Pp. xxi+285. ISBN 0-226-67350-2. £15.95.

Published online by Cambridge University Press:  21 January 2003

KRISTEN STROMBERG CHILDERS
Affiliation:
UNIVERSITY OF PENNSYLVANIA

Abstract

The past decade has seen a virtual explosion in scholarship about issues of gender in the history of modern Europe. Historians have taken up topics from the fall of Louis XVI during the Revolution to the role of women in fascism to demonstrate the pivotal importance that matters of sexual difference have made in shaping politics, culture, and society in the last centuries. Scholars have realized that interpretations of class dynamics, work relations, collective action, and nations at war, for example, look considerably different and are far more complex when attention is paid to gender. Where the study of women in the past was once relegated to the backwaters, now courses on women's history and gender have taken a permanent place in most university curricula. Histories that include women have moved from ‘her-story’ (crudely, the history of individual women and their accomplishments) to analyses that use gender as an interpretative prism through which to view larger social and political transformations.

The three books under review participate in this larger movement toward integrating the perspectives of gender into major issues of European history that have been researched by historians before, but from a standpoint that these authors find lacking. Margaret Arnot and Cornelie Usborne, as editors of a collection of essays on gender and crime, wish to correct some of the assumptions about women and crime that have been ignored by historians who focus mostly on more historically conspicuous male criminals. Ann-Louise Shapiro uses the trials of criminal women in late nineteenth-century Paris as ‘lightning rods’ that illuminate the social, political, and cultural conflicts of the fin-de-siècle.

Type
Review Article
Copyright
© 2002 Cambridge University Press

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