Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-17T07:57:42.410Z Has data issue: false hasContentIssue false

Literature and the history of political thought

Published online by Cambridge University Press:  11 February 2009

David Womersley
Affiliation:
Jesus College, Oxford

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Articles
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 On Skinner's contribution, which has addressed a narrower range of primary texts than has that of Pocock but which has revealed its methodological assumptions and procedures more explicitly, see the very useful collection of Skinner's own work and of replies by his critics edited and introduced by James, Tully as Meaning and context: Quentin Skinner and his critics (Oxford, 1988)Google Scholar. For studies of the two men together, see Dominick, LaCapra, ‘Rethinking intellectual history and reading texts’, History and Theory, XIX (1980), 245–76Google Scholar and Peter L., Janssen, ‘Political thought as traditionary action: the critical response to Skinner and Pocock’, History and Theory, XXIV (1985), 115–46.Google Scholar

2 The crucial distinction between Skinner and Pocock and the structuralists is that Skinner and Pocock both cleave to a strong concept of the author who, in writing, performs acts which bear some relation to previous, conscious and willed intentions (although those intentions may not fully account for the resulting work). Structuralists such as Barthes have depicted the author as a dummy ventriloquized by the linguistic structures within which his utterances occur.

3 Lévi-Strauss elaborates the distinction between the bricoleur and the engineer in The savage mind (Chicago, 1966)Google Scholar. For Derrida's critique, see ‘Structure, sign and play in the discourse of the human sciences’, Writing and difference (Chicago, 1978), pp. 278–93.Google Scholar