Hostname: page-component-7479d7b7d-68ccn Total loading time: 0 Render date: 2024-07-10T11:22:04.103Z Has data issue: false hasContentIssue false
  • English
  • Français

Shedding Light For The Matter

Published online by Cambridge University Press:  25 March 2020

Barbara Bolt
Get access Rights & Permissions [Opens in a new window]

Abstract

This paper critiques enlightenment notions of representation and rehearses an alternative model of mapping that is grounded in performance. Working from her own practice as a landscape painter, Bolt argues that the particular experience of the “glare” of Australian light fractures the nexus between light, form, knowledge, and subjectivity. This rupture prompts a move from shedding light ON the matter to shedding light FOR the matter and suggests an emergent rather than a representational practice.

Type
Research Article
Information
Hypatia , Volume 15 , Issue 2: Special Issue: Going Australian: Reconfiguring Feminism and Philosophy , Spring 2000 , pp. 202 - 216
Copyright
Copyright © 2000 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adams, Parveen 1993. The violence of paint. Journal of Philosophy and the Visual Arts, The body: 53–59.Google Scholar
Audi, Robert, ed. 1995. The Cambridge dictionary of philosophy. New York: Cambridge University Press.Google Scholar
Benjamin, Walter 1978. Reflections: Essays, aphorisms, autobiographical writings. Trans. Jephcott, Edmund. New York: Schocken Books.Google Scholar
Blumenberg, Hans 1993. Light as a metaphor for truth: At the preliminary stage of philosophical concept formation. In Modernity and the hegemony of vision, ed. Levin, D. M.London: University of California Press.Google Scholar
Bolt, Barbara 1977. Im/pulsive practices: The logic of sensation and painting. In Social Semiotics (7) 3: 261–68.Google Scholar
Bryson, Norman 1983. Vision and painting: The logic of the gaze. London: The Macmillan Press Ltd.Google Scholar
Bryson, Norman 1988. The gaze in the expanded field. In Vision and visuality, ed. Foster, Hal.Seattle: Bay Press.Google Scholar
Butler, Judith 1993. Bodies that matter: On the discursive limits of sex. New York: Routledge.Google Scholar
Carter, Paul 1996. The lie of the land. London: Faber and Faber.Google Scholar
Chisholm, Carolyn 1995. The “cunning lingua” of desire: Bodies‐language and perverse performativity. In Sexy bodies: The strange carnalities of feminism, ed. Grosz, Elizabeth and Probyn, Elspeth. London: Routledge.Google Scholar
Cornford, Francis Macdonald 1991. From religion to philosophy: A study in the origins of western speculation Princeton: Princeton University Press.Google Scholar
Delbridge, Arthur, et al. 1997. The Macquarie dictionary. 3rd ed. Macquarie University, N.S.W.: The Macquarie Library Pty Ltd.Google Scholar
Deleuze, Gilles 1986. Cinema 1: The movement'image. Trans. Tomlinson, Hugh and Habberjam, Barbara. Minneapolis: University of Minnesota Press.Google Scholar
Deleuze, Gilles 1989. Francis Bacon: The logic of sensation. In Flash art: Two decades of history, XXI years, ed. Politi, G. and Kontova, Helena. Cambridge: MIT press.Google Scholar
Deleuze, Gilles, and Guattari, Félix. 1987. A thousand plateaus: Capitalism and schizophrenia. Trans. Massumi, Brian. Minneapolis: The University of Minnesota Press.Google Scholar
Dowling, Julie 1997. Interview by author. April.Google Scholar
Edwards, Paul, ed. 1967. The encyclopedia of philosophy. Vol 6. New York: Macmillan and Free Press.Google Scholar
Gaynor, Andrew 1996. Recorded conversation from a forum on regionalism and the arts in Western Australia. Arts Today. ABC Radio, July 10.Google Scholar
Grosz, Elizabeth 1994. Volatile bodies: Towards a corporeal feminism. Bloomington: Indiana University Press.Google Scholar
Haraway, Donna 1991. Situated knowledges: The science question in feminism and the privilege of partial perspective. In Simions, cyborgs and women. New York: Free Association Books.Google Scholar
Ihde, Don. 1979. Technics and praxis. D. Dordrecht Holland: Reidel Publishing Co.Google Scholar
Irigaray, Luce 1993. An ethics of sexual difference. Trans. Burke, Carolyn and Gill, Gillian C.London: The Athlone Press.Google Scholar
Jay, Martin 1993. Downcast eyes: The denigration of vision in twentieth‐century French thought. Berkeley: University of California Press.Google Scholar
Krauss, Rosalind 1988. The im/pulse to see. In Vision and visuality, ed. Foster, Hal. Seattle: Bay Press.Google Scholar
Lyotard, Jean‐Francois 1982. Presenting the unpresentable: The sublime. In Artforum, (20) 8: 64–69.Google Scholar
Lyotard, Jean‐Francois 1984. The sublime and the avant‐garde. Artforum (22) 8: 36–43.Google Scholar
Massumi, Btian 1992. A user's guide to capitalism and schizophrenia: Deviations from Deleuze and Guattari. Cambridge: MIT Press.Google Scholar
McLean, Ian. 1996. The art of Gordon Bennett. Roseville East, N.S.W.: Craftsman House.Google Scholar
McLean, Ian. 1998. White Aborigines: Identity politics in Australian art. New York: Cambridge University Press.CrossRefGoogle Scholar
Merleau‐Ponty, Maurice 1968. The visible and the invisible. Ed. Lefort, Claude, Trans. Lingis, Alphonso. Evanston: Northwestern University Press.Google Scholar
Rodowick, David N. 1990. Reading the figutal. In Camera obscura: A journal of feminism and and film theory (24): 11–46.CrossRefGoogle Scholar
Sylvester, David 1988. The brutality of the fact: Interviews withFrancis Bacon, 1962–79. New York: Thames and Hudson.Google Scholar
Taussig, Michael 1994. Mimesis and alterity: A particular history of the senses. London: Routledge.Google Scholar
Thrift, Nigel 1997. The still point: Resistance, expressive embodiment and dance. In Geographies of resistance, ed. Pile, Steve and Keith, Michael. London: Routledge.Google Scholar
Vasseleu, Catherine 1994. Textures of light: Vision and embodiment in Irigaray, Levinas and Merleau‐Ponty. Ph.D. diss., University of Sydney.Google Scholar
Vasseleu, Catherine 1996. Illuminating passion: Irigaray's ttansfiguration of night. In Vision in context: Historical and contemporary perspectives on sight, ed. Brennan, Teresa and Jay, Martin. New York: Routledge.Google Scholar
Vasseleu, Catherine 1998. Textures of light: Vision and embodiment in Irigaray, Levinas and Merleau‐Ponty. London: Routledge.Google Scholar
Welchman, John 1995. Modernism relocated: Towards a cultural studies of visual modernity. St Leonards, N.S.W: Allen and Unwin.Google Scholar
Wilson, Josephine 199697. Geographies of Haunted Places. Perth: PICA.Google Scholar