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A Page of Madness: Cinema and Modernity in 1920s Japan. By Aaron Andrew Gerow. Ann Arbor: Center for Japanese Studies, University of Michigan, 2008. Pp. 130. ISBN 10: 1929280513; 13: 9781929280513.

Published online by Cambridge University Press:  21 June 2011

Michael Raine
Michael Raine
Affiliation:
University of Chicago. E-mail mjraine@uchicago.edu
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Type
Book Reviews
Information
International Journal of Asian Studies , Volume 8 , Issue 2 , July 2011 , pp. 237 - 240
Copyright
Copyright © Cambridge University Press 2011

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References

1 Petric, Vlada, “A Page of Madness: A Neglected Masterpiece of the Silent Cinema,” Film Criticism 8:1 (1983), p. 86Google Scholar.

2 Petric, ibid., p. 87.

3 See for example, Cazdyn, Eric, The Flash of Capital: Film and Geopolitics in Japan (Durham, N.C.: Duke University Press, 2002), p. 214CrossRefGoogle Scholar; Gardner, William, “New Perceptions: Kinugasa Teinosuke's Films and Japanese Modernism,” Cinema Journal 43:3 (2004), p. 70CrossRefGoogle Scholar.