Hostname: page-component-77c89778f8-m42fx Total loading time: 0 Render date: 2024-07-21T13:25:08.140Z Has data issue: false hasContentIssue false
  • English
  • Français

Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution By Xing Fan. Hong Kong: Hong Kong University Press, 2018. xiii, Pp. 288. ISBN 978-988-8455-81-2.

Review products

Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution By Xing Fan. Hong Kong: Hong Kong University Press, 2018. xiii, Pp. 288. ISBN 978-988-8455-81-2.

Published online by Cambridge University Press:  21 July 2020

Nancy Guy
Nancy Guy*
Affiliation:
University of California, San Diego, Email: nguy@ucsd.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
International Journal of Asian Studies , Volume 17 , Issue 2 , July 2020 , pp. 203 - 205
Check for updates
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Peter, Clark, Pang, Laikwan and Tsai, Tsan-Huang (eds.) (2016). Listening to China's Cultural Revolution: Music, Politics, and Cultural Continuities. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.Google Scholar
Wichmann, Elizabeth (1991). Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawai‘i Press.Google Scholar
Yang Daniel, S. P. (1969). “Peking Drama with Contemporary Themes.” The Drama Review: TDR 13:4, pp. 167–80.CrossRefGoogle Scholar