Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-13T16:12:05.206Z Has data issue: false hasContentIssue false
  • English
  • Français

Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium. By Tadashi Uchino. London, New York, Calcutta: Seagull Books, 2009. Pp. 212. ISBN 10: 1905422741; 13: 9781905422746.

Published online by Cambridge University Press:  15 June 2010

John D. Swain
John D. Swain
Affiliation:
California State University, Northridge E-mail john.swain@csun.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book reviews
Information
International Journal of Asian Studies , Volume 7 , Issue 2 , July 2010 , pp. 235 - 237
Copyright
Copyright © Cambridge University Press 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Bharucha, Rustom, “Genet in Manila: Reclaiming the Chaos of Our Times,” in manuscript for Japanese translation in Butai Geijutsu 4 (2003)Google Scholar.

2 Swain, John D., Nomads Still: Zainichi-Koreans and Contemporary Japanese Theatre (Ph.D. dissertation, University of California, Los Angeles, 2004).