Even now in 2006, sixty years after the end of World War II, the subject of cultural assets seized under Nazi persecution (“looted art”) and displaced during the war (“trophy art”), continues to be of interest to politicians, historians, legal experts, and many others. Thus, at a meeting in January 2005, Germany's Advisory Commission for the return of cultural assets seized as a result of Nazi persecution, particularly those cultural assets removed from Jewish ownership, recommended the return of four paintings presently in the possession of the Federal Republic of Germany to the community of heirs of Julius Freund. Also in January 2005, Germany's government, all federal states and central organizations of municipalities called on German public bodies not to slow down in their search for cultural assets seized as a result of Nazi persecution and to report any items found to the Koordinierungsstelle für Kulturgutverluste (Coordination Office for Lost Cultural Assets) for display as part of its Internet database www.lostart.de. Furthermore, in February 2005, Franz von Lenbach's painting “Prinzessin zu Sayn-Wittgenstein-Sayn” which had been seized by the Nazis was identified through www.lostart.de and returned to the heirs of Bernhard Altmann. The painting was part of the Remaining Stock CCP (“Linzer Liste”) within www.lostart.de enlisting cultural objects with provenance gaps in the administration of Germany's Bundesamt zur Regelung offener Vermögensfragen (Federal Office for the settlement of ownership issues). The object was on loan from the Bundesamt and in possession of the Wallraf-Richartz-Museum in Köln (Germany).