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Review of David A. Scott, Art: Authenticity, Restoration and Forgery. 500 pp. Los Angeles: University of California, Los Angeles, Cotsen Institute of Archaeology Press, 2016

Published online by Cambridge University Press:  03 October 2017

Betty L. Schlothan
Betty L. Schlothan*
Affiliation:
Department of History of Art and Architecture, University of California, Santa Barbara; Email: bschlothan@umail.ucsb.edu.
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Type
Book Review
Information
International Journal of Cultural Property , Volume 24 , Issue 3 , August 2017 , pp. 401 - 405
Copyright
Copyright © International Cultural Property Society 2017 

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References

BIBLIOGRAPHY

Brandi, Cesare, and Basile, Giuseppe. 2005. Theory of Restoration. Rome: Instituto Centrale per il Restauro.Google Scholar
De Clerq, Rafael. 2013. “The Metaphysics of Restoration.” British Journal of Aesthetics 53, no. 3: 261–75.CrossRefGoogle Scholar
Dutton, Denis. 2003. “Authenticity in Art.” In The Oxford Handbook of Aesthetics, edited by Levinson, Jerrold, 258–74. New York: Oxford University Press.Google Scholar
Goodman, Nelson. 1968. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobb-Merrill.Google Scholar
Rowe, Mark. 2013. “The Problem of Perfect Fakes.” In Philosophy and the Arts, edited by O’Hear, Anthony, 151–75. Cambridge: Cambridge University Press.Google Scholar
Sagoff, Mark. 1978. “On Restoring and Reproducing Art.” Journal of Philosophy 75, no. 9: 453–70.Google Scholar
Scott, David A. 2015. “Conservation and Authenticity: Interactions and Enquiries.” Studies in Conservation 60, no. 5: 291–305.Google Scholar
Scott, David A. 2016. Art: Authenticity, Restoration and Forgery. Los Angeles: University of California, Los Angeles, Cotsen Institute of Archaeology Press.CrossRefGoogle Scholar