Charlotte Perkins Gilman travelled from California to Chicago in 1896, spending three months at Hull House with her friend Jane Addams. Their discussions that summer resulted in a curious cross-pollination, each woman borrowing from the other, although neither, as it turns out, finding the exchange quite comfortable. Gilman, gratified by the intellectual audience at Hull House, was repelled by the day-to-day visceral contact with the poor. When Addams arranged for her to run a settlement on Chicago's North Side, known as “Little Hell,” Gilman eyed the grim prospect: “The loathly river flowed sluggishly near by, thick and ill-smelling; Goose Island lay black in the slow stream. Everywhere a heavy dinginess; low, dark brick factories and gloomy wooden dwellings often below the level of the street; foul plank sidewalks, rotten and full of holes; black mud underfoot, damp soot drifting steadily down over everything.” Poverty, in her description, infects both nature and culture, fouling the city and infesting it with literal and metaphorical disease. She soon handed her job over to Helen Campbell and moved on to write her theoretical analysis of the disease of middle-class marriage, Women and Economics (1899); “my interest was in all humanity, not merely the under side of it,” she mused, “in sociology, not social pathology.”