Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-19T21:59:40.179Z Has data issue: false hasContentIssue false
  • English
  • Français

Pieter Vermeulen , Contemporary Literature and the End of the Novel: Creature, Affect, Form (Basingstoke: Palgrave Macmillan, 2015, £58.00/$95.00). Pp. x + 182. isbn 978 1 1374 1452 6.

Published online by Cambridge University Press:  08 May 2017

KIERAN JOSEPH ROBERT SMITH
KIERAN JOSEPH ROBERT SMITH*
Affiliation:
University of Glasgow
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Exclusive Online Reviews
Information
Journal of American Studies , Volume 51 , Issue 2 , May 2017 , E29
Copyright
Copyright © Cambridge University Press and British Association for American Studies 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Greenwald-Smith, Rachel, “Organic Shrapnel: Affect and Aesthetics in September 11 Fiction,” American Literature, 83, 1 (2011), 153–74CrossRefGoogle Scholar; Greenwald-Smith, , “Postmodernism and the Affective Turn,” Twentieth Century Literature, 57, 3–4 (2011), 423–46CrossRefGoogle Scholar; Leys, Ruth, Trauma: A Genealogy (Chicago: The University of Chicago Press, 2000)CrossRefGoogle Scholar; Leys, , “The Turn to Affect: A Critique,” Critical Inquiry, 37, 3 (2011), 434–73CrossRefGoogle Scholar.