Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-06-06T04:34:03.022Z Has data issue: false hasContentIssue false

On the Couch: The Alpha Male in Therapy in Contemporary American Television Drama

Published online by Cambridge University Press:  23 January 2018

PETER TEMPLETON*
Affiliation:
School of the Arts, English and Drama, Loughborough University. Email: p.a.r.templeton@lboro.ac.uk.

Abstract

As ideas of masculinity have changed in the United States, so too has the presentation of men on television. This article, then, explores a range of characters that have characteristics associated with the alpha male in the unusually vulnerable position of the patient, in a variety of programmes from generic detective dramas through to critically acclaimed productions, to analyse how programme makers navigate questions of masculinity against the cultural backdrop of the most recent fin de siècle. It also demonstrates a range of responses by programme makers, including some that question hypermasculine tendencies only to ultimately reinforce them.

Type
Articles
Copyright
Copyright © Cambridge University Press and British Association for American Studies 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Nochimson, Martha P., “Waddaya Lookin’ At?: Re-reading the Gangster Genre Through ‘The Sopranos’,” Film Quarterly, 56, 2 (2002), 213CrossRefGoogle Scholar, 5–6.

2 See Addis, Michael E. and Mahalik, James R., “Men, Masculinity, and the Contexts of Help Seeking,” American Psychologist, 58, 1 (2003), 514CrossRefGoogle ScholarPubMed.

3 Mackinnon, Kenneth, Representing Men (London: Hodder Arnold, 2003), 66Google Scholar.

4 Hirshbein, Laura, “Sex and Gender in Psychiatry: A View from History,” Journal of Medical Humanities, 31, 2 (2010), 155–70CrossRefGoogle ScholarPubMed, 160.

5 Malin, Brent, ‘Memorializing White Masculinity: The Late 1990s ‘Crisis of Masculinity’ and the ‘Subversive Performance’ of Man on the Moon,” Journal of Communication Inquiry, 27, 3 (July 2003), 239–55CrossRefGoogle Scholar, 239.

6 Mahalik, James R., Good, Glenn E. and Englar-Carlson, Matt, “Masculinity Scripts, Presenting Concerns, and Help Seeking: Implications for Practice and Training,” Professional Psychology: Research And Practice, 34, 2 (2003), 123–31CrossRefGoogle Scholar, 124.

7 Lotz, Amanda D., Cable Guys: Television and Masculinities in the 21st Century (New York: NYU Press, 2014)Google Scholar, eBook Collection (EBSCOhost), accessed 26 June 2017.

8 Mittell, Jason, “Narrative Complexity in Contemporary American Television,” Velvet Light Trap, 58, 1 (2006), 2940CrossRefGoogle Scholar, 37.

9 Mackinnon, 12.

10 Yvonne Villareal, “Aaron Sorkin Signs Off from TV … Maybe,” LA Times, 8 Nov. 2014, at www.latimes.com/entertainment/tv/la-et-st-hbo-newsroom-aaron-sorkin-jeff-daniels-20141108-story.html.

11 For examples, see Miller, Kristen, “From Fears of Entropy to Comfort in Chaos: ‘Arcadia,’ ‘The Waste Land,’ ‘Numb3rs,’ and Man's Relationship with Science,” Bulletin of Science, Technology and Society, 27, 1 (2007), 8194CrossRefGoogle Scholar; and Wilken, Rowan, “Fantasies of Control: Numb3rs, Scientific Rationalism, and the Management of Everyday Security Risks,” Continuum, 25, 2 (2011), 201–11CrossRefGoogle Scholar.

12 Tasker, Yvonne, “Television Crime Drama and Homeland Security: From Law & Order to ‘Terror TV’,” Cinema Journal, 51, 4 (2012), 4465CrossRefGoogle Scholar, 44–5, 57.

13 Beynon, John, Masculinities and Culture (Maidenhead: Open University Press, 2008), 121Google Scholar.

14 Ibid., 121.

15 Fry, Stephen, Moab Is My Washpot (London: Arrow, 2004), 23Google Scholar.

16 Tarrant, Anna, “Domestic Ageing Masculinities and Grandfathering,” in Murray, Andrew Gorman and Hopkins, Peter, eds., Masculinities and Place (Farnham: Ashgate, 2014), 241–54Google Scholar, 246.

17 Deutsch, Jonathan and Elias, Megan J., Barbecue: A Global History (London: Reaktion, 2014), 26Google Scholar.

18 It is also worth noting that the recurring character of Stanley Keyworth only features prior to Aaron Sorkin's departure as lead writer and executive producer in 2003 and that for each of the episodes in which the character returns Sorkin is listed as the sole writer.

19 Levant, Ronald F., Stefanov, Dimitre G., Rankin, Thomas J., Halter, Margaret J., Mellinger, Chris, and Williams, Christine M., “Moderated Path Analysis of the Relationships between Masculinity and Men's Attitudes toward Seeking Psychological Help,” Journal of Counseling Psychology, 60, 3 (2013), 392406CrossRefGoogle ScholarPubMed.

20 Beynon, 132.

21 Mahalik, Good, and Englar-Carlson, “Masculinity Scripts,” 127.

22 Ian Miles, “Masculinity and Its Discontents,” Futures, 21, 1 (Feb. 1989), 47–59, 50.

23 Shattuc, Jane, “Freud vs. Women: The Popularization of Therapy on Daytime Talk Shows”, in Carter, Cynthia and Steiner, Linda, eds., Critical Readings: Media and Gender (Maidenhead: Open University Press, 2004), 307–27Google Scholar, 307.

24 Mackinnon, Representing Men, 4.

25 Mahalik, Good and Englar-Carlson, 127–28.

26 Jeffords, Susan, Hard Bodies: Hollywood Masculinity in the Reagan Era (New Brunswick, NJ: Rutgers University Press, 1994), 35Google Scholar.

27 Scharrer, Erica, “Tough Guys: The Portrayal of Hypermasculinity and Aggression in Televised Police Dramas,” Journal of Broadcasting & Electronic Media, 45, 4 (2001), 615–34CrossRefGoogle Scholar, 629.

28 Seidler, Victor J., Rediscovering Masculinity: Reason, Language and Sexuality (London: Routledge, 2003), 84CrossRefGoogle Scholar.

29 Lotz, Cable Guys.

30 Kimmel, Michael S., “Invisible masculinity”, Society, 30, 6 (1993), 2835CrossRefGoogle Scholar, 33.

31 Mackinnon, 7.

32 Welch, Roseanne, “Transmitting Culture Transnationally: The Characterisation of Parents in the Police Procedural,” New Review of Film and Television Studies, 14, 3 (2016), 386401CrossRefGoogle Scholar, 397.

33 Mackinnon, 7.

34 Lotz.

35 Robert Bianco, “‘Numb3rs’ Looks Like a Winn3r,” USA Today, 20 Jan. 2005.

36 Bly, Robert, Iron John: Men and Masculinity (London: Rider, 2001), 100Google Scholar.

37 Scharrer, Erica, “More Than ‘Just the Facts’? Portrayals of Masculinity in Police and Detective Programs over Time,’ Howard Journal of Communications, 23, 1 (2012), 88109CrossRefGoogle Scholar, 99.”

38 Hibberd, Lynne, “Fucking Vito: Masculinity and Sexuality in The Sopranos,” in Ross, Karen, ed., The Handbook of Gender, Sex, and Media (Oxford: Wiley-Blackwell, 2012), 174–88CrossRefGoogle Scholar, 177.