The Chinese literary renaissance has produced in the past few decades many distinctly new results. The universal acceptance of the vernacular as a literary medium by a whole generation of writers, the absorption of modern western ideas, and the transvaluation of all traditional values brought about radical changes in creative literature. New theories were studied and practised, new forms and genres developed, and an appreciable number of distinguished works of poetry, fiction and essays created during this period can be assured of a permanent place in the history of Chinese literature. Yet one ancient literary genre, biography, seems to have benefited little by the new movement. It is this fact that makes the excellent work now under review deserve more than usual attention.