Hostname: page-component-77c89778f8-sh8wx Total loading time: 0 Render date: 2024-07-22T06:21:26.497Z Has data issue: false hasContentIssue false
  • English
  • Français

Elizabeth Edwards. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918. Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation series. Durham, NC: Duke University Press, 2012. Pp. 344. $99.95 (cloth).

Published online by Cambridge University Press:  11 November 2013

Kate Flint
Kate Flint*
Affiliation:
University of Southern California
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Journal of British Studies , Volume 52 , Issue 4 , October 2013 , pp. 1091 - 1092
Copyright
Copyright © The North American Conference on British Studies 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)