Hostname: page-component-7479d7b7d-c9gpj Total loading time: 0 Render date: 2024-07-10T04:34:25.906Z Has data issue: false hasContentIssue false
  • English
  • Français

(W.) Burkert Die orientalisierende Epoche in der griechischen Religion und Literatur. (Sitz. Heid. Ak. Wiss., ph.-hist. Kl.Jg. 1984: 1.) Heidelberg: Winter. 1984. Pp. 135. DM 68.

Review products

(W.) Burkert Die orientalisierende Epoche in der griechischen Religion und Literatur. (Sitz. Heid. Ak. Wiss., ph.-hist. Kl.Jg. 1984: 1.) Heidelberg: Winter. 1984. Pp. 135. DM 68.

Published online by Cambridge University Press:  11 October 2013

M. L. West
M. L. West*
Affiliation:
Royal Holloway and Bedford New College, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
The Journal of Hellenic Studies , Volume 106 , November 1986 , pp. 233 - 234
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1986

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Add that the ‘navel of the earth’ is a Semitic concept (W. H. Roscher, Omphalos (1913–18/1974); M. Eliade, Shamanism 268), and that the oriental Succession Myth reached Hesiod by way of Crete and Delphi.

2 Further, Gilgamesh feels to see if Enkidu's heart is still beating. There is no such doubt in Patroclus' case, yet Achilles lays his hands on his friend's chest, for no clear reason (Il. 18.317). B. does not actually mention this, or the lioness simile. There are other things he might have mentioned, such as the Phoenician ‘Cyclops’ ( Poljakov, T., ZPE 53 [1983] 95–8Google Scholar) and Aphrodite with her necklaces ‘shining like the moon’ before her lover (h.Aphr. 89/Hymn to Inanna: A. Henrichs, Die Phoinikika des Lollianos [1972] 22).