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The Paintings of Panaenus at Olympia

Published online by Cambridge University Press:  23 December 2013

Extract

The arrangements hitherto suggested for these pictures on the throne of Zeus are in one point open to comment. As Pausanias describes them (V. xi. 5, 6), the most natural arrangement is as follows:—

So they are taken in the last article on the subject, that of Mr. Evelyn-White (J.H.S. xxviii. pp. 49 sqq.). Professor E. A. Gardner (J.H.S. xiv. pp. 233 sqq.) has suggested that the third set on each side stood as separate figures below.

In both these schemes the point for comment is the placing of the pictures of Heracles.

(1) These three, as types of physical feats of strength and daring, are in thought out of tone with the others. (2) The three, all dealing with the same personality, are clearly connected; yet in the above schemes they are separated. (3) On the crossbars of the throne, on the same sides as the pictures, there was sculptured another enterprise of Heracles, his battle against the Amazons. This induces the impression that the Heracles pictures were somehow connected artistically with that, and therefore had some sort of prominence in the series, which would make that connexion artistically clear.

Type
Research Article
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1910

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