No CrossRef data available.
Article contents
Breaking Rocks: Music, Ideology and Economic Collapse, from Paris to Kinshasa by Joseph Trapido Oxford: Berghan Books, 2017. Pp. viii + 272. $110 (hbk).
Review products
Breaking Rocks: Music, Ideology and Economic Collapse, from Paris to Kinshasa by Joseph Trapido Oxford: Berghan Books, 2017. Pp. viii + 272. $110 (hbk).
Published online by Cambridge University Press: 23 November 2017
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS0022278X17000349/resource/name/firstPage-S0022278X17000349a.jpg)
- Type
- Reviews
- Information
- Copyright
- Copyright © Cambridge University Press 2017
References
REFERENCES
Bemba, S.
1984. Cinquante ans de musique du Congo-Zaïre (1920–1907): De Paul Kamba à Tabu Ley. Paris: Présence Africaine.Google Scholar
Covington-Ward, Y.
2016. Gesture and Power: religion, nationalism, and everyday performance in Congo. Durham: Duke University Press.Google Scholar
Lonoh, M.B.
1969. Essai de commentaire sur la musique congolaise modern. Kinshasa: S.E.I./A.N.C.
Google Scholar
Nkashama, P.N.
1992. ‘La chanson de la rupture dans la musique zaïroise modern’, in Quaghebeur, M. and van Balberhe, E., eds. Papier blanc, encre noire: Cents ans de culture francophone en Afrique central (Zaire, Rwanda et Burundi). Brussels: Labor, 477–89.Google Scholar
Tchebwa, M.
1996. La terre de la chanson: La musique zaïroise hier et aujourd'hui. Brussels: Duculot.Google Scholar
White, B.
2006. ‘L'incroyable machine d'authenticité: L'annimation politique et l'usage public de la culture dans le Zaïre de Mobutu,’ Anthropologie et societies
30, 2: 43–64.Google Scholar