Hostname: page-component-5c6d5d7d68-wp2c8 Total loading time: 0 Render date: 2024-08-16T08:19:41.257Z Has data issue: false hasContentIssue false
  • English
  • Français

Understanding Muse and philosopher imagery - Björn Christian Ewald, DER PHILOSOPH ALS LEITBILD: IKONOGRAPHISCHE UNTERSUCHUNGEN AN RÖMISCHEN SARKOPHAGRELIEFS (Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung, Ergänzungsheft 34; Philipp von Zabern, Mainz 1999). Pp. 263, Taf. 107. ISBN 3-8053-2581-9.

Published online by Cambridge University Press:  16 February 2015

Jennifer Trimble
Jennifer Trimble*
Affiliation:
Department of Classics, Stanford University, Stanford, CA 94305-2080
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of Roman Archaeology , Volume 15 , 2002 , pp. 507 - 510
Copyright
Copyright © Journal of Roman Archaeology L.L.C. 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Ewald notes that the restriction of these motifs to metropolitan sarcophagi is rich evidence of regional variations in cultural interests and expression, although to pursue this observation is beyond the scope of his work.

2 Alternatively, the male's companion can be an Orans figure, denoting his pietas.

3 Gleason, M., Making men: sophists and self-presentation in ancient Rome (Princeton 1995)Google Scholar.