Hostname: page-component-7bb8b95d7b-cx56b Total loading time: 0 Render date: 2024-09-11T08:45:42.205Z Has data issue: false hasContentIssue false

A Roman Silver Helmet in the Toledo (Ohio) Museum of Art

Published online by Cambridge University Press:  24 September 2012

Extract

In 1958 Edward Drummond Libbey presented the helmet published here to the Toledo Museum of Art (pls. I, II). Its importance warrants at least a brief notice. The helmet is lifesize, that is it can be readily worn by a present-day person of average size. Excepting the possible loss of two ornaments (rosettes) at the sides of the browpiece or area where the pivots of the visor would be, if the helmet had one, the helmet is in nearly perfect condition. The metal is silver of good quality; the ornaments on top, on the browpiece and on the cheekpieces are also silver, with goldfoil coverings.

Type
Research Article
Copyright
Copyright © Cornelius C. Vermeule 1960. Exclusive Licence to Publish: The Society for the Promotion of Roman Studies

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Otto Wittmann, Jr., the Director, kindly provided the photographs and help on various points in connection with this note. Prof. Henri Seyrig of Beirut and Dumbarton Oaks was most generous with information about the finds at Horns and about the possible connections of the objects published here with them. Prof. Frank Brown of Yale was likewise. The Libraries of the Departments of Coins and Medals and Greek and Roman Antiquities of the British Museum afforded the facilities to prepare this paper.

2 The height is 12 ⅜ in.; the maximum length, front to back, is 11 ¾ in.

3 It is not impossible that the rivets remaining were not for rosettes but for attaching a face-mask. One would not necessarily need another attachment behind the centre of the browpiece.

4 Mr. William J. Young of the Research Laboratory, Museum of Fine Arts, Boston, gave freely of his time and wide experience in the technical matters which arose. One of the cheekpieces had become detached above the hinge; thanks to his assistance, this was easily resoldered. The main part of the helmet was cast in one piece.

5 53. Antiquités de la nécropole d'Éimèse’, Syria 29, 1952, 204250Google Scholar; 30, 1953, 12–24.

6 The present owner has furnished the photograph illustrated here; his help in this and other respects is acknowledged with gratitude. The jug is 8 in. high and has a diameter of 3½ in. at the bottom. There is a beaded spiral in the centre of the bottom.

7 Syria 29, 1952, 246 f., fig. 27, no. 12.

8 One of the oldest Greek forms of this helmet is worn by Athena on old-style tetradrachms of Athens: Daremberg-Saglio IV, Galea, fig. 3446; cf. also figs. 3448 f.

9 For this helmet in a detail from the Column of Trajan, see British Museum, Department of Greek and Roman Antiquities, Greek and Roman Life 3rd ed. 1929, 80, 88, fig. 86; P. Couissin, Les armes romaines, Paris 1926, 408, fig. 152.

10 Daremberg-Saglio, l.c. 1431, fig. 3397.

11 J. M. C. Toynbee and R. R. Clarke, ‘A Roman Decorated Helmet and Other Objects from Norfolk’, JRS 38, 1948, 20–7.Google Scholar

12 Altertümer von Pergamon II, Berlin 1885, pls. 43 f.Google Scholar

13 The presence of this helmet in examples 21 and 30 of Couissin's reconstructions supports this; the first is late first to second centuries A.D., and the second is third century A.D. This helmet has gone out of fashion in the small friezes on the Arch of Constantine; in the ‘Siege of Verona’ soldiers wear the helmet worn by the Maxentian Dea Roma (Giuliano, o.c. pl. 37). It is like a British fireman's helmet.

14 Hoopes, T. T., ‘The Greek Helmet in the City Art Museum of St. Louis’, Studies Presented to David M. Robinson, ed. Mylonas, G. E. and Raymond, D. II, St. Louis 1953 835, n. 6.Google Scholar

15 Ridder, A. de, Les bronzes antiques du Louvre II, Paris 1915, no. 1106Google Scholar; cf. no. 1117, an Etruscan pilos with a lion protome.

16 W. Fröhner, La collection Tyszkiewicz, Munich 1897, pl. XIX. The crest is in the form of a recumbent sphinx.

17 G. Brett, Bulletin of the Division of Art and Archaeology, Royal Ontario Museum, December 1957, no. 26, pp. 5 ff., cf. pl. 4B. The cheekpiece from Pola once in the collection at Schloss Goluchov shows what a truly elaborate imperial helmet could be capable of; the cheekpiece is enriched with a Writing Victoria, captive at her feet, and Mars Victor below : Reinach, o.c. II, 126, no. 1.

18 Reinach, o.c. III, 150, nos. 1, 2; see generally, Löwy, E., Jahrbuch der Kunsthist. Samml. in Wien, n.s. II, 1928, 140Google Scholar.

19 Jones, H. Stuart (Editor), The Sculptures of the Palazzo dei Conservatori, Oxford 1926, p.17 f., pl. 8.Google Scholar

20 Ryberg, I. S., Mem. Am. Acad. in Rome XXII, 1955, 39 f., 55. 59, 61.Google Scholar