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The Eyes of Anna Held: Sex and Sight in the Progressive Era1
Published online by Cambridge University Press: 23 June 2011
Abstract
The nineteenth century was an era of perceptual certitude. Scientists collected and cataloged, explorers mapped and charted, artists rendered what they observed. The empirical approach to perception was grounded in the ideas that God had created an orderly and rational world and that the senses connected people to the intrinsic meanings of the things they contacted and observed. But by the 1890s, uncertainty about the reality of what people perceived was beginning to transform American popular culture. Among other things, the acceptance of perception as relative transformed attitudes to erotic displays and provided a foundation for the modernization of sexual attitudes. Anna Held was a prominent performer whose sexual play excited and challenged Progressive Era audiences. The public's response to her sexuality reveals the depth of the doubt that the questioning of Victorian certitude created. The progressive impulse, which sought to reaffirm certainty with regard to sexual identities and behaviors, can be seen as a reaction to the doubts that cultural modernists embraced and Anna Held's public enjoyed.
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- Essays
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- Copyright © Society for Historians of the Gilded Age and Progressive Era 2011
Footnotes
1
Thanks to Darryl Dee, Susan Glenn, Alison Kibler, Darren Mulloy, and the journal's reviewers for their comments on this paper.
References
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