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“Their New Jerusalem”: Representations of Jewish Immigrants in the American Popular Press, 1880–1903
Published online by Cambridge University Press: 22 April 2021
Abstract
Millions of immigrants arrived in the United States during the Gilded Age, drastically altering the ethnic character of the American citizenry. This dramatic social change was met with mixed reactions from the native-born population that were vividly communicated in the popular press. Cartoonists for newspapers and magazines across the country developed a language of caricature to identify and distinguish among ethnic groups and mocked new arrivals in imagery that ranged from mild to malicious. One might assume that the masses of Eastern European Jews flooding into the country (poor, Yiddish-speaking, shtetl-bred) would have been singled out for anti-Semitic attack, just as they were in Europe at the time. However, Jews were not the primary victims of visual insults in America, nor were the Jewish caricatures wholly negative. Further, the broader scope of popular imagery, which, in addition to cartoons, includes a plethora of illustrations as well as photographs, presents a generally positive attitude toward Jewish immigrants. This attitude aligned with political rhetoric, literature, newspaper editorials, and financial opportunity. This article will propose a better alignment of the visual evidence with the scholarly understanding of the essentially providential experience of Jews in America during this period.
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- The Journal of the Gilded Age and Progressive Era , Volume 20 , Issue 2 , April 2021 , pp. 277 - 300
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- © The Author(s), 2021. Published by Cambridge University Press on behalf of the Society for Historians of the Gilded Age and Progressive Era (SHGAPE)
References
Notes
1 The Dreyfus Affair was surely the most egregious example. Americans, in contrast to Europeans, were enchanted with Dreyfus, as I argued in “Dreyfus in America: A Pictorial Romance,” Shofar 37 (Summer 2019): 35–59.Google Scholar
2 See Appel, John J., “Jews in American Caricature: 1820–1914,” American Jewish History 71 (Sept. 1981): 103–33.Google Scholar
3 An undercurrent of anti-Semitism ran through American visual culture of the nineteenth century, punctuated by periods of prominence and recession. The Civil War years were marked by an intensification of prejudiced caricature not seen in the periods either directly before or after, according to Gary L. Bunker and John Appel. The anti-Semitic cartoons they found were prominent, “not buried in some remote corner of an illustrated periodical,” and the tone was “harsh and hostile.” During the years addressed in the article, the insulting imagery had receded to the back pages while the large format covers and centerfolds with Jewish subjects ranged from tolerant to admiring in tone. The economic expansion and prosperity of the Gilded Age may have allowed for greater willingness to see industrious immigrants in a positive light. Gary L. Bunker and John Appel, “‘Shoddy,’ Anti-Semitism and the Civil War,” American Jewish History 82 (194): 42–71, quote on 69.
4 Baigell, Matthew, The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877–1935 (Syracuse, NY: Syracuse University Press, 2017).CrossRefGoogle Scholar
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6 The historical understanding of anti-Semitism during the Gilded Age has gone through several ideological phases since the 1930s, when historians first began to address the topic. As Higham, John had already noted back in 1957 (“Anti-Semitism in the Gilded Age: A Reinterpretation,” The Mississippi Valley Historical Review 43 (Mar. 1957): 560–61)CrossRefGoogle Scholar, the scholarly interpretation tended to reflect the outlook of the era in which it was written. Thus, the rise of fascism in the thirties “caused some historians to scrutinize earlier American anti-Semitism with a new intentness,” whereas in the sunny postwar period, “the anxieties that spurred much of the scholarship of the thirties and forties subsided, (and) interest in anti-Semitism correspondingly diminished.” Handlin, Oscar promoted this perhaps simplistically upbeat view in the fifties (“American Views of the Jew at the Opening of the Twentieth Century,” Publications of the American Jewish Historical Society 40 (June 1951), e.g.)Google Scholar. Dinnerstein, Leonard presented a more complex analysis in his comprehensive history of American anti-Semitism, titling the chapter about this period “The Emergence of an Antisemitic Society (1865–1900)” (Anti-Semitism in America (Oxford: Oxford University Press, 1994)Google Scholar, while others since, notably Hasia Diner, have written extensively about the uniquely open environment into which Jewish immigrants settled, and the fortunate match between their skills and experiences and the needs and opportunities of their adopted country. Diner, lays out this view in her recent book Doing Business in America: A Jewish History (West Lafayette, IN: Purdue University Press, 2018)Google Scholar, as well as in her article, “The Encounter between Jews and America in the Gilded Age and Progressive Era,” The Journal of the Gilded Age and Progressive Era 11 (Jan. 2012): 3-25. If Higham’s theory is correct, Baigell’s thesis, published in April 2017, may be inflected with newly inflamed fears that have arisen in the current climate of growing authoritarianism and ethnic hatred.
7 “Uncle Sam’s Lodging House,” Puck, June 7, 1882. The caption reads “Uncle Sam:—“Look here, you, everybody else is quiet and peaceable, and you’re all the time a-kicking up a row!” For more on anti-Irish imagery in the late nineteenth- and early twentieth-century American press, see John, and Appel, Selma, Pat-Riots to Patriots: American Irish Caricature and Comic Art (East Lansing: Michigan State University Museum, 1990).Google Scholar
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14 It is important to note that the adult literacy rate in the 1890s was 86.5 percent, and of those some unknown percentage were functionally illiterate, making clear communication through widely understood symbolic visual language so important.
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32 A petition campaign that was launched in Germany in the summer of 1880 to demand a legislative solution to the “Jewish problem” caused a bump in German Jewish immigration to America. The petition sought to limit Jewish immigration and prevent Jews from holding positions as judges, teachers, and other civil service posts.
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44 New York American Journal, June 14, 1903.
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51 Quoted in Voice of America on Kishineff, 76. In addition to his support for refugees, Teller had a reputation as a champion of Native American land rights.
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53 From a January 3, 1919, letter to the president of the American Defense Society. Bishop, Joseph Bucklin, ed., Theodore Roosevelt and his Time Shown in his Own Letters (New York: Charles Scribner’s Sons, 1920), 474.Google Scholar
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55 Dinnerstein, Anti-Semitism in America, 58–77.
56 In a fascinating article on this subject, Taylor Stults argues that “American public opinion, led by the Jewish community, forced President Theodore Roosevelt into a more anti-Russian posture than he would otherwise have taken.” This thesis presents Roosevelt as a follower on this issue, not one setting the tone for the American people. Stults, Taylor, “Roosevelt, Russian Persecution of Jews, and American Public Opinion,” Jewish Social Studies 33 (Jan. 1971): 13–22.Google Scholar
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58 Detroit Free Press, May 31, 1903.
59 Quoted in Voice of America on Kishineff, 11.
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61 Though written in 1883, Lazarus’s poem “The New Colossus” became well known only in 1903 when it was installed at the Statue of Liberty on an engraved bronze plaque.
62 Caption: “Again the weekly record of immigration has been broken. In 1902, 650,000 persons came here to live, and now it seems certain, from the record of the first three months of 1903, that this enormous figure will be exceeded this year.”
63 The Saturday Evening Post, Aug. 8, 1903, 1.
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