Hostname: page-component-84b7d79bbc-4hvwz Total loading time: 0 Render date: 2024-07-28T09:17:53.240Z Has data issue: false hasContentIssue false
  • English
  • Français

L'art du livre dans l'Inde des sultanats. By Éloïse Brac de la Perrière. pp. 367. Paris, Presses de l'Université Paris-Sorbonne, 2008.

Published online by Cambridge University Press:  30 November 2009

Preeti Khosla  and
Emily Shovelton
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Royal Asiatic Society , Volume 20 , Issue 1 , January 2010 , pp. 98 - 100
Copyright
Copyright © The Royal Asiatic Society 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 R. Skelton, “The Nimatnama: a Landmark in Malwa Painting”, Marg, no. 3, (1959) pp. 44–48; R. Ettinghausen “The Bustan Manuscript of Sultan Nasir-Shah Khalji”, Marg, no.3, (1959) pp. 40–43.

2 J. P. Losty, The Art of the Book in India, British Library Reference Division Publications (London, 1982).

3 Blair, S. S., Islamic Calligraphy (Edinburgh, 2007), p. 389Google Scholar.

4 Y. Porter, Painters, Paintings and Books, An Essay on Indo-Persian Technical Literature, 12th–19th Centuries (New Delhi, 1994).

5 Her point of note is the reference to the Visanta Vilāsa of 1451 A.D. (Washington D.C., Freer Gallery) as a secular text when it is in fact a devotional text dedicated to the love of the Hindu deities Krishna and Radha.