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Manuscript sources for some motifs in early Islamic glass painting

Published online by Cambridge University Press:  15 March 2011

Extract

The study of decorated glassware from the early Islamic period hinges very largely on the classification and dating of fragments, since few complete vessels have survived. Perhaps for this reason the subject, though full of interest for the glass historian, has received rather scant attention in the literature. The purpose of this article is to suggest that surviving examples of painted lustre glass from this period enable us to identify several ways in which manuscript models were used by glass craftsmen in the sphere of early Islam.

Type
Articles
Copyright
Copyright © The Royal Asiatic Society 1986

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References

NOTES

1 Wenzel, Marian, “Thirteenth-century Islamic Enamelled Glass found in Medieval Abingdon”, Oxford Journal of Archaeology III pt 3, Oxford, 1984; pp. 12, 13.Google Scholar Figs. 11, 12a, 12b.

2 Pinder-Wilson, Ralph, “Glass”, in The Arts of Islam (Exhibition catalogue, The Arts Council of Great Britain, Hayward Gallery London), London, 1976, p. 136, no. 119.Google Scholar

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4 Wenzel, , p. 7, fig. 4.Google Scholar

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8 Ibid., p. 71. Kádár, , pp. 77, 78, Pls. 119–28.Google Scholar

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13 Ibid., p. 175.

14 Lings, Martin, The Quranic Art of Calligraphy and Illumination, Westerham, Kent, 1976, pp. 18, 19, Pls. 20, p. 55, Pls. 23–32.Google ScholarLings, Martin, Safadi, Yasin Hamid, The Qur'ān, Exhibition catalogue, British Museum), London, 1976, p. 26, no. 17, Pl. II (here Fig. 12).Google ScholarJenkins, Marilyn, editor, Islamic Art in the Kuwait National Museum, The Al-Sabah Collection, London, 1983, p. 20 (here Fig. 13).Google Scholar

15 Ashmolean Museum Oxford, no. 1913.159. Unpublished.

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18 I am grateful to Pamela Rose, Cambridge, and the Egypt Exploration Society for access to this excavation material.

19 Joundi, , op. cit., pp. 174, 175, Figs. 80, 81.Google Scholar