Hostname: page-component-848d4c4894-xfwgj Total loading time: 0 Render date: 2024-07-02T00:51:52.383Z Has data issue: false hasContentIssue false
  • English
  • Français

Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas perspectivas en torno a un género literario-musical (siglos XV–XIX) Edited by Esther Borrego Gutiérrez and Javier Marín López. Kassel: Edition Reichenberger, 2019.

Review products

Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018.
El villancico en la encrucijada: Nuevas perspectivas en torno a un género literario-musical (siglos XV–XIX) Edited by Esther Borrego Gutiérrez and Javier Marín López. Kassel: Edition Reichenberger, 2019.

Published online by Cambridge University Press:  03 June 2024

John Koegel
John Koegel*
Affiliation:
School of Music, California State University, Fullerton, CA, USA
*
Email: jkoegel@fullerton.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 18 , Issue 2 , May 2024 , pp. 180 - 184
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of the Society for American Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The Musicology Area in the Institución Milá y Fontanals (created in 1968) is part of CSIC and is the successor to the Instituto Español de Musicología (also part of CSIC).

2 On MUSAM, see: https://www.sedem.es/es/comisiones-de-trabajo/musica-y-estudios-americanos/musica-y-estudios-americanos-presentacion-y-contacto.asp.

3 López, Javier Marín, ed., De Nueva España a México: El universo musical mexicano entre centenarios, 1517–1917 (Seville: Universidad Internacional de Andalucía, 2020)CrossRefGoogle Scholar; and Rodríguez, Victoria Eli, Marín-López, Javier, and Pichaco, Belén Vega, eds., En, desde y hacia las Americas: músicas y migraciones transoceánicas (Madrid: Dykinson, 2021)Google Scholar.

4 Ustárroz, María Gembero and Ros-Fábregas, Emilio, eds., La música y el Atlántico: relaciones musicales entre España y Latinoamerica (Granada: Editorial Universidad de Granada, 2007)Google Scholar; and Lolo, Begoña and Presas, Adela, eds., Cantos de Guerra y Paz: La música en las Independencias Iberoamericanas (1800–1840) (Madrid: Universidad Autónoma de Madrid, 2015)Google Scholar.

5 The adjective “colonial” is preferred here over the commonly used term “viceregal,” because not all areas in the Spanish and Portuguese Americas were formally part of the governmental structure of a viceroyalty, i.e., a geographic and administrative area governed by viceroy.