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Met Opera on Demand https://www.metopera.org/season/on-demand/

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Met Opera on Demand https://www.metopera.org/season/on-demand/

Published online by Cambridge University Press:  08 April 2022

Ryan Ebright
Ryan Ebright*
Affiliation:
College of Musical Arts, Bowling Green State University, Bowling Green, OH, USA
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Abstract

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Type
Media Review
Information
Journal of the Society for American Music , Volume 16 , Issue 2 , May 2022 , pp. 244 - 245
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music

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References

1 Julia Jacobs, “The Met Opera's Musicians, Unpaid Since April, Are Struggling,” New York Times, March 17, 2021; Julia Jacobs, “The Met Opera Races to Reopen After Months of Pandemic Silence,” New York Times, September 10, 2021.

2 Joshua Barone, “How the Met Opera Is Throwing a Gala Concert with Smartphones,” New York Times, April 24, 2020.

3 Anastasia Tsioulcas, “The Metropolitan Opera Anytime—And Anywhere—You Want It,” NPR, Deceptive Cadence, March 15, 2012, https://www.npr.org/sections/deceptivecadence/2012/03/15/148666124/the-metropolitan-opera-anytime-and-anywhere-you-want-it (accessed November 28, 2021); see also DeLaurenti, Kathleen, “Met Opera On Demand: Student Access (review),” Notes: Quarterly Journal of the Music Library Association 70, no. 4 (2014): 727–29CrossRefGoogle Scholar.

4 Steichen, James, “The Metropolitan Opera Goes Public: Peter Gelb and the Institutional Dramaturgy of The Met: Live in HD,” Music and the Moving Image 2, no. 2 (2009): 25–31CrossRefGoogle Scholar; see also Steichen, James, “HD Opera: A Love/Hate Story,” The Opera Quarterly 27, no. 4 (2012): 443–59Google Scholar.

5 Metropolitan Opera, Met Opera on Demand, http://metopera.org.ezproxy.bgsu.edu/season/on-demand/ (accessed November 30, 2021).