Hostname: page-component-77c89778f8-sh8wx Total loading time: 0 Render date: 2024-07-23T15:31:51.085Z Has data issue: false hasContentIssue false
  • English
  • Français

Discourse - Kristina Nelson, The art of reciting Qur'an. (Modern Middle East Series, No. 11.) Austin: The University of Texas Press, 1985. Pp. xxviii + 241.

Published online by Cambridge University Press:  18 December 2008

Jozef Pacholczyk
Jozef Pacholczyk
Affiliation:
Department of Music, University of Maryland Baltimore County, Baltimore, MD 21228
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Language in Society , Volume 17 , Issue 2 , June 1988 , pp. 294 - 298
Copyright
Copyright © Cambridge University Press 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Bergstrasser, G. (1926). Die Koranlesung Des Hasan von Basra. Islamica 2: 11–57.Google Scholar
Bergstrasser, G. (1932–1933). Die Koranlesung in Kairo. Der Islam. 20: 1–42, 21: 110–40.CrossRefGoogle Scholar
Cantineau, J., & Barbes, L. (1942–1947). La recitation coranique à Damas et à Alger. Annales de l'Institute des Etudes Orientales 6: 66–107.Google Scholar
Pacholczyk, J. (1970). Regulative principles in the Koran chant of Shaikh ‘Abdu’l-Bāsiṭ ‘Abdu'ṣ- Ṣamad. Ph.D. Dissertation, University of Califomia, Los Angeles. Ann Arbor, Mich.: University Microfilms.Google Scholar
Pacholczyk, J. (1972). Vibrato as a Function of Modal Practice in the Qur'anic Chant of Shaikh ‘Abdu'l-Bāsit ‘Abdu'ṣ-Ṣamad. Selected Reports in Ethnomusicology. Los Angeles: Institute of Ethnomusicology, University of California. Vol. 11, no. 1.Google Scholar
Touma, H. H. (1975a). Die Koranrezitazion: Eine Form der Religiosen Musik der Araber. Bessler-Archiv, Neue Folge 23: 87–133.Google Scholar
Touma, H. H. (1975b). Die Music der Araber. Wilhelmshaven: Heinrichschafen's Verlag.Google Scholar
Touma, H. H. (1976). Relations between Aesthetics and Improvisation in Arab Music. World of Music, 18(2): 33–36.Google Scholar