Chemistry Underneath the Painting Surface: Palmierite Formation in/on a Painting by Johannes Vermeer and by Jacob Jordaens using Laboratory- and Synchrotron-aided Spectroscopic Methods

J.J. Boon

doi:10.1017/S1431927613009033

Abstract

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Extended abstract of a paper presented at Microscopy and Microanalysis 2013 in Indianapolis, Indiana, USA, August 4 – August 8, 2013.

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Vanmeert, Frederik de Keyser, Nouchka van Loon, Annelies Klaassen, Lizet Noble, Petria and Janssens, Koen 2019. Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem. Analytical Chemistry, Vol. 91, Issue. 11, p. 7153.

De Meyer, Steven Vanmeert, Frederik Vertongen, Rani van Loon, Annelies Gonzalez, Victor van der Snickt, Geert Vandivere, Abbie and Janssens, Koen 2019. Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning. Heritage Science, Vol. 7, Issue. 1,

De Meyer, S. Vanmeert, F. Vertongen, R. Van Loon, A. Gonzalez, V. Delaney, J. Dooley, K. Dik, J. Van der Snickt, G. Vandivere, A. and Janssens, K. 2019. Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earring . Science Advances, Vol. 5, Issue. 8,

Simoen, Jonas De Meyer, Steven Vanmeert, Frederik de Keyser, Nouchka Avranovich, Ermanno Van der Snickt, Geert Van Loon, Annelies Keune, Katrien and Janssens, Koen 2019. Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius. Heritage Science, Vol. 7, Issue. 1,

Gonzalez, Victor van Loon, Annelies WT Price, Stephen Noble, Petria and Keune, Katrien 2020. Synchrotron micro-XRD and micro-XRD-CT reveal newly formed lead–sulfur compounds in Old Master paintings. Journal of Analytical Atomic Spectrometry, Vol. 35, Issue. 10, p. 2267.

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Chemistry Underneath the Painting Surface: Palmierite Formation in/on a Painting by Johannes Vermeer and by Jacob Jordaens using Laboratory- and Synchrotron-aided Spectroscopic Methods

Abstract

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