Recent years have brought a spate of serials centred on the theme of Urdu ghazal to the Indian television screens. The image of the ghazal in these serials is one of a kind of rhymed verse sung by courtesans in their ‘kothas’ (residence-cum-performance locales), under the appreciative eye of the poet, and often lustful eye of a decrepit zamindar whose purse is heavy but judgement is light. The singing is accompanied by some dancing, a few musical instruments being played by the courtesan's hangers-on, and unceasing rounds of liquor. The ambience in which the performance is enveloped is meant to convey what modern sensibilities would construe as decadence.