Hostname: page-component-7479d7b7d-qs9v7 Total loading time: 0 Render date: 2024-07-12T22:24:59.106Z Has data issue: false hasContentIssue false

Materials Issues in Film Archiving: A French Experience

Published online by Cambridge University Press:  31 January 2011

Get access

Abstract

The following article is based on a presentation given as part of Symposium X—Frontiers of Materials Research on December 4, 2002, at the 2002 Materials Research Society Fall Meeting. The cinema is just over 100 years old. From the beginning of motion pictures in the mid-1890s, the materials used for films have been at the heart of cinema technology. The material first used was cellulose nitrate film—unrivaled in its mechanical, physical, and aesthetic qualities, and also dangerously flammable. In the 1950s, cellulose nitrate was replaced, for safety reasons, by cellulose triacetate. Today, polyester film is widely used; nevertheless, the fact remains that the majority of the world's film heritage exists on two main material formats, cellulose nitrate and cellulose triacetate, both of which decay over time. Film archivists are engaged in a race to save historic film footage from being lost forever. Digital technology, now widely used in cinema, does not resolve the issue of the long-term preservation of films because digital formats are still evolving. This article discusses the materials used in motion-picture technology over the years, the mechanisms active in film decomposition, and international efforts to preserve and restore historic films.

Type
Research Article
Copyright
Copyright © Materials Research Society 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1.Adelstein, P.Z., Reilly, J.M., Nishimura, D.N., and Erbland, C.J., J. Soc. Motion Picture Telev. Eng. 101 (1992) pp. 336 and 347;Google Scholar
Ram, A.T., Kopperl, D.F., Sehlin, R.C., Masaryk-Morris, S., Vincent, J.L., and Miller, P., J. Imaging Sci. Technol. 38 (3) (1994) p. 249.Google Scholar
2.Lavedrine, B., Duverne, R., Leroy, M.Aubert, M., Cot, J.-L., and Riandey, B. in Archiver et communiquer l'image et le son: les enjeux du 3ème millénnaire. Actes du 5ème symp. technique mixte JTS 2000 (Commission Supérieure Technique, Paris, 2000) p. 44.Google Scholar
3.Aubert, M. and Seguin, J.-C., La production cinématographique des frères Lumière (Bibliothèque du Film, Éditions Mémoires de Cinema, Paris, 1996).Google Scholar
4.Bordwell, D., On the History of Film Style (Harvard University Press, Cambridge, MA, 1997).Google Scholar
5.Home page for FIAF—the International Federation of Film Archives, www.fiafnet.org (accessed April 2003).Google Scholar