Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-09T03:51:03.605Z Has data issue: false hasContentIssue false

Hearing the voice of Donbas: art and literature as forms of cultural protest during war

Published online by Cambridge University Press:  20 November 2018

Yuliya Ilchuk*
Affiliation:
Harvard Ukrainian Research Institute, Harvard University, Cambridge, MA, USA Department of Slavic Languages and Literatures, Stanford University, Stanford, CA, USA
*

Abstract

This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People's Republics, on the other. They explore familiar tropes and images of Donbas and use guerrilla tactics (shock effects, provocativeness, and deception) to initiate public reaction to the war. Their works are united by their search for a shared communication space and direct access to the audience on occupied territories. These artists challenge the accepted perception of Donbas as a free but uncivilized space and participate in the creation of a new Donbas text. The interaction between politics, art, and activism makes their voices and vision powerful and infectious and can help achieve civic consolidation in Donbas.

Type
Articles
Copyright
Copyright © 2017 Association for the Study of Nationalities 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Andrukhovych, Yurii. 2005. “Shukaiuchy Dreamland.” Krytyka, no. 1–2: 8788.Google Scholar
Andrukhovych, Yurii. 2006. Dyiavol khovaet'sia v syri. Kyiv: Krytyka.Google Scholar
Andrukhovych, Yurii. 2015. “Interview in Ukrains'ka Pravda.” March 2. Accessed March 17, 2016.Google Scholar
Bieber, Alain. 2011. “I Revolt, Therefore I Am.” In Art and Agenda: Political Art and Activism, edited by Klanten, Robert, Hübner, M., Bieber, A., Alonzo, P., and Jansen, G., 5055. Berlin: Gestalten.Google Scholar
Bilokobyl's'kyi, Oleksandr. 2013. “Mif Dontes'ka. Ontologiia samosvidomosti mista.” Skhid 6: 265269.Google Scholar
Donovan. 2014. “Howard Stern Interview.” February 20. Accessed October 10, 2016. https://www.youtube.com/watch?v=EBkfFOEd1GY.Google Scholar
‘Kartochnyi domik’ Sergeia Zakharova.” 2014. December 25. Accessed October 10, 2016. http://elefant59.livejournal.com/48815.html.Google Scholar
Kenarov, Dimiter. 2015. “The Mushrooms of Donbas. Dimiter Kenarov on Poetry and Conflict in Ukraine.” Poetry International Rotterdam. Accessed March 17, 2016. http://www.poetryinternationalweb.net/pi/site/cou_article/item/26596/The-Mushrooms-of-Donbas.Google Scholar
Kratochvil, Alexander. 2010. “Nazad do novoi bat'kivshchyny.” Krytyka 9–10: 155156.Google Scholar
Kuromiya, Hiroaki. 2008. “The Donbas – The Last Frontier of Europe?” In Europe's Last Frontier? Belarus, Moldova, and Ukraine between Russia and the European Union, edited by Schmidtke, Oliver and Yekelchyk, Sergei, 97114. New York: Palgrave Macmillan.Google Scholar
Martin, Randy. 2006. “Artistic citizenship: Introduction.” In Artistic Citizenship: A Public Voice for the Arts, edited by Schmidt, Mary and Martin, Randy, 122. New York: Routledge.Google Scholar
McGrane, Sally. 2014. “The Abuse of Ukraine's Best-Known Poet.” The New Yorker, March 8. Accessed May 11, 2015. http://www.newyorker.com/books/page-turner/the-abuse-of-ukraines-best-known-poet.Google Scholar
Nechepurenko, Ivan. 2014. “Donbass’ Roots of Violent Division: Geography, History, Culture.” The Moscow Times, April 20. Accessed March 17, 2016. http://www.themoscowtimes.com/news/article/donbass-roots-of-violent-division-geography-history-culture/498447.html.Google Scholar
Osipian, Ararat, and Osipian, Alexander. 2006. “Why Donbass Votes for Yanukovych: Confronting the Ukrainian Orange Revolution.” Demokratizatsiya: The Journal of Post-soviet Democratization 14 (4): 495517.Google Scholar
Sakwa, Richard. 2014. Frontline Ukraine: Crisis in the Borderlands. London: IB Tauris. Shulha, Mykola. 2002. “Natsional'na i politychna marhinalizatsiia za umov systemnoi kryzy.” Sotsiolohiia: teoriia, metody, marketynh: Naukovo-teoretychnyi chasopys 1: 5–20. Kyiv.Google Scholar
“SSSR na kartiinakh Anzhely Dzerikh.” 2015. Foto-telegraf February 2. Accessed October 10, 2016. http://fototelegraf.ru/?p=269158.Google Scholar
Stepova, Olena. 2014. Everything Will Be Ukraine! Kyiv: Dukh i litera.Google Scholar
Szporluk, Roman. 2002. “Why Ukrainians are Ukrainians.” Transit – Europäische Revue 23. Accessed March 17, 2016. http://www.eurozine.com/pdf/2002-09-17-szporluk-en.pdf.Google Scholar
Tkachenko, Viktor. 2005. “Shcho robyty z Donbasom.” Narodne slovo, March 5.Google Scholar
Way, Lucan. 2014. “Civil War and the breakdown of Ukraine's Faustian Bargain.” Paper presented at 2014 Annual Danyliw Research Seminar of Contemporary Ukraine. Accessed March 17, 2016. http://media.wix.com/ugd/ff1dca_3a2b8cbdee5b450faf89ebe4f907cc08.pdf.Google Scholar
Zakharov, Serhii. 2014a. “Messnia trizhdy vyvodili na rasstrel.” Radio Svoboda, October 18. Accessed May 17, 2016. http://www.svoboda.org/content/article/26640867.html.Google Scholar
Zakharov, Serhii. 2014b. “Interview in Ukrains'ka Pravda.” October 20. Accessed March 17, 2016. http://life.pravda.com.ua/person/2014/10/20/182411/.Google Scholar
Zhadan, Serhii. 2007. Maradona, Kharkiv: FolioGoogle Scholar
Zhadan, Serhii. 2015. Zhyttia Marii. Knyha virshiv i perekladiv. Chernivtsi: Meridian Czernowitz; Knyhy – XXI.Google Scholar
Zhadan, Serhii and “The Dogs in Space”. 2014. Fight for Her. Chernivtsi: Mizhnarodna literaturna korporatsiia.Google Scholar