Elaine Scarry’s text The Body in Pain offers an analysis of the human experiences of suffering and pain as effects of divine and human making and remaking. Assuming a Feuerbachian analysis of the human projection of the divine, she maintains that God is the primal human Artefact who, once made, remakes the human subject in his own image through wounding and healing. That which distinguishes the human from the divine is embodiment. Embodied as they are, human beings can be wounded. God, being bodiless, cannot be wounded.

Scarry’s thesis relies overwhelmingly on a Western notion of human work that she believes has been passed into our culture through two dominant sets of religious and politico-economic discourses, for her those of Judeo-Christianity and of Marxism. These discourses have been so influential in the formation of western subjectivity that they reveal much, she holds, about the way Western subjects are constructed by discourses of pain and illness. It is this aspect of Scarry’s monumental work that interests me, and which I will initially use to read the text of the 13th century Flemish mystic Christina Mirabilis, before moving on to a consideration of her medieval contemporaries Hadewijch of Antwerp and Mechthild of Magdeburg. In reading Christina’s text, the problem I will pose is how her performance of wounding and healing assist in constructing/reconstructing herself as a mystical subject. Secondly I will ask the question, what theological and literary purpose does the language of wounding and healing serve in the medieval texts of the Beguines Hadewijch and Mechthild? In other words, what does the text produce?