Hostname: page-component-848d4c4894-4rdrl Total loading time: 0 Render date: 2024-07-06T02:27:18.007Z Has data issue: false hasContentIssue false
  • English
  • Français

The World of Aziza A.: Third Space in Identities

Published online by Cambridge University Press:  21 July 2015

Yeşim Burul
Yeşim Burul*
Affiliation:
Department of Communication, Istanbul Bilgi Universityand PhD candidate, Amsterdam School for Cultural Analysis
Get access Rights & Permissions [Opens in a new window]

Extract

Every summer Wantijpark in Dordrecht, a small town in the western Netherlands, hosts a World Music festival called “Rainbowpark.” The performers of the 2002 season included Bun Sani from Surinam/The Netherlands, Ghalia Benali & Timnaa from Tunisia/ Belgium, Bayuba Cante from Cuba and Los de Abajo from Mexico. But the biggest star of the festival-that is, whose name was highlighted with the largest fonts in the posters and flyers-was Aziza A., presented as an artist from Turkey. In fact, this multi-faceted artist, whose real name is Alev Yıldırım, was born in Berlin in 1971 and has lived ever since. Her parents had lived in Germany as guest workers for 31 years and then returned to Turkey in 1999, but Aziza had stayed on in Berlin, which she now calls her home. I met her during the “Karneval der Kulturen” in Berlin (the Carnival of Cultures, which took place a month before the Rainbow festival) where she performed on the night of the grand parade.

Type
Articles
Information
New Perspectives on Turkey , Volume 29: Special Issue: Forty Years of Turkish Migration to Germany , Spring-Fall 2003 , pp. 209 - 228
Copyright
Copyright © New Perspectives on Turkey 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abadan-Unat, Nermin. 1985. “Identity Crisis of Turkish Migrants. First and Second Generations,” in Başgöz, İ. and Furniss, I. (Eds.), Turkish Workers in Europe: An Inter-Disciplinary Study. Bloomington: Indiana U. Turkish Studies, pp. 3–22.Google Scholar
Ang, Ien. 2000. “Identity Blues,” in Gilroy, P., Grossberg, L., and McRobbie, A. (Eds.), Without Guarantees: In Honour of Stuart Hall. Verso: London and New York, pp. 1–13.Google Scholar
Bhabha, Homi. 1990. “The Third Space: Interview with Homi Bhabha,” in Rutherford, Jonathan (Ed.), Identity: Community, Culture, Difference. London: Lawrence and Wishart, pp. 207–221.Google Scholar
Bhabha, Homi. 1994. The Location of Culture. London: Routledge.Google Scholar
Cheesman, Tom. 1998. “Polyglot Politics: Hip Hop in Germany,” Debatte, 6(2), pp. 191–214.Google Scholar
Clifford, James. 1994. “Diasporas,” in Cultural Anthropology, 9(3), pp. 302–338.CrossRefGoogle Scholar
Cohen, Rob. 1997. Global Diasporas: An Introduction. London: UCL Press.CrossRefGoogle Scholar
Çağlar, Ayşe. 1997. “Hyphenated Identities and the Limits of ‘Culture,’” in Modood, Tariq, and Werbner, Pnina (Eds.), The Politics of Multiculturalism in the New Europe: Racism, Identity and Community. London: Zed Books, pp. 169–185.Google Scholar
Çağlar, Ayşe. 1998. “Popular Culture, Marginality and Institutional Incorporation: German-Turkish Rap and Turkish Pop in Berlin,” Cultural Dynamics, 10(3), pp. 243–261.CrossRefGoogle Scholar
Gilroy, Paul. 1993. Small Acts: Thoughts on the Politics of Black Cultures. Serpent's Tail: London and NY.Google Scholar
Hall, Stuart. 1988. “New Ethnicities,” in Mercer, Kobena, (Ed.), Black Film, British Cinema. London: Institute of Contemporary Arts, pp. 27–31.Google Scholar
Hall, Stuart. 1996. “Introduction: Who Needs Identity?” in Hall, S., and Gay, P. du (Eds.), Questions of Cultural Identity. London: Sage, pp. 1–17.Google Scholar
Kaya, Ayhan. 2001. “Sicher in Kreuzberg”: Constructing Diasporas: Turkish Hip-Hop Youth in Berlin. Bielefeld: Transcript.Google Scholar
Kaya, Ayhan. 2002. “Aesthetics of Diaspora: Contemporary Minstrels in Turkish Berlin,” Journal of Ethnic and Migration Studies, 28(1), pp. 43–62.CrossRefGoogle Scholar
Morley, David. 2000. Home Territories: Media, Mobility and Identity. London and New York: Routledge.Google Scholar
Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton U. Press.CrossRefGoogle Scholar
Özbek, Meral. 1992. Popüler Kültür ve Orhan Gencebay Arabeski. İletişim: İstanbul.Google Scholar
Safran, William. 1991. “Diasporas in Modern Societies: Myths of Homeland and Return,” Diaspora, 1(1), pp. 83–99.CrossRefGoogle Scholar
Soja, Edward W. 1996. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Cambridge, MA: Blackwell.Google Scholar
Soysal, Levent. 2001. “Diversity of Experience, Experience of Diversity: Turkish Migrant Youth Culture in Berlin,” Cultural Dynamics, 13(1), pp. 5–28.CrossRefGoogle Scholar
Soysal, Levent. (forthcoming) “Rap, Hiphop, Kreuzberg: Scripts of/for Migrant Youth Culture in the WorldCity Berlin,” New German Critique.Google Scholar
Soysal, Yasemin N. 2000. “Citizenship and Identity: Living in Diasporas in Post-War Europe?” Ethnic and Racial Studies, 23 (1), pp. 1–15.CrossRefGoogle Scholar
Stokes, Martin. 1992. The Arabesk Debate: Music and Musicians in Modern Turkey. Oxford U. Press: Oxford.CrossRefGoogle Scholar