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Rachel Cowgill and Hilary Poriss, eds., The Arts of the Prima Donna in the Long Nineteenth Century (Oxford: Oxford University Press, 2012). xlvi + 368 pp. $35.00 US

Published online by Cambridge University Press:  01 April 2014

Sylvia L’Écuyer
Sylvia L’Écuyer*
Affiliation:
Université de Montréallecuyers@me.com
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 11 , Issue 1 , June 2014 , pp. 145 - 149
Copyright
Copyright © Cambridge University Press 2014 

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References

1 Kellogg, Clara Louise, Memoirs of an American Prima Donna (New York and London: G.P. Putnam's Sons, 1913): 63Google Scholar.

2 Clément, Catherine, Opera, or the Undoing of Women, trans. Betsy Wing (Minneapolis: University of Minnesota Press, 1999)Google Scholar.

3 Gautier, Théophile, ‘La Diva’, in La Comédie de la mort (Paris: Desessart, 1838): p. 154Google Scholar.

4 Moore, George, Evelyn Innes (London: T. Fisher Unwin, 1898)Google Scholar.

5 The title of Sophie Fuller's essay, ‘ “The Finest Voice of the Century”’ is ‘… credited to Emma Albani in the article “Two Great Vocalists,” Aberdeen Weekly Journal, February 6, 1899;’ see endnote 1, p. 325.