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Theoretical and Critical Contexts in Nineteenth-century Performance Practice
Published online by Cambridge University Press: 24 May 2012
Abstract
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References
1 See Nicholas Cook, ‘Between Process and Product: Music and/as Performance’, Music Theory Online 7/2 (2001)Google Scholar, http://www.societymusictheory.org/mto/; Nicholas Cook, ‘Music as Performance’, in The Cultural Study of Music: A Critical Introduction, eds. M. Clayton, T. Herbert and R. Middleton (New York: Routledge, 2003): 204–214 Google Scholar.
2 Nicholas Cook and Eric Clarke, ‘Introduction: What is Empirical Musicology?’, in Empirical Musicology: Aims, Methods, Prospect, eds. Eric Clarke and Nicholas Cook (Oxford: Oxford University Press, 2004): 10Google Scholar.
3 See the CHARM website (http://www.charm.rhul.ac.uk/index.html) for information about the research outputs.