¹ Finger, Anke and Rosner, Victoria, ‘Doing Feminism in Interdisciplinary Contexts’, Feminist Studies 27/2 (2001): 499CrossRefGoogle Scholar .

² With a little more critical persuasion and scholarly grounding, McCombie could have made a valid case for her appropriations of Boulez. The following studies might have helped refine her stance: Breatnach, Mary, Boulez and Mallarmé: A Study in Poetic Influence (Brookfield, VT, 1996)Google Scholar ; Sonnenfeld, Albert, ‘Mallarme and His Musicians Webern and Boulez’, in Mallarmé in the Twentieth Century, ed. Cohn, Robert Greer (Madison, 1998)Google Scholar . Also missing here is a reference to Wheeldon's, Marianne engaging discussion of discontinuity in ‘Interpreting Discontinuity in the late works of Claude Debussy’, PhD Diss., Yale University, 1997Google Scholar .