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Introduction
Published online by Cambridge University Press: 17 June 2015
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References
1 Stratton, Stephen, Monthly Journal [Incorporated Society of Musicians], December (1888)Google Scholar.
2 Ehrlich, Cyril, The English Musical Renaissance 1860–1940 (London and New York: Routledge, 1993)Google Scholar: 12.
3 See Wesley, Samuel Sebastian, A few Words on Cathedral Music (New York: Hinrichsen Edition, 1965)Google Scholar
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5 Chorley, Henry F., Modern German Music (London: Smith, Elder, [1854])Google Scholar: I, 404.
6 See Temperley, Nicholas, ‘Xenophilia in British Musical History’”, in Nineteenth-Century British Music Studies, Vol. 1, ed. Bennett Zon (Aldershot: Ashgate, 1999)Google Scholar: 4.
7 Gladstone, William Henry, ‘Music as an Aid to Worship and Work’, The Official Report of the Church Congress, Held at Carlisle (London: Bemrose and Sons, 1884)Google Scholar: 310.
8 Numerous organ anthologies were published during the nineteenth century, not least by Novello, and it was typical to find a contents page that classified works by ‘concert’ or ‘church/liturgical’ use.
9 Gladstone, William Henry, ‘Music as an Aid to Worship and Work’, The Official Report of the Church Congress, Held at Carlisle (London: Bemrose and Sons, 1884): 308–317Google Scholar.
10 Temperley ‘Mozart's influence on English Music’.
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